I lost count of the number of concerts I have attended since the 1980’s but the number is much higher than my feeble intelligence quotient (“IQ”). Even with my troglodytic disposition I can spot a polished professional band before the first verse of the set opener. Foreigner is undeniably such a band. Foreigner is more like champagne than malt liquor, more like the opera than open mike night at a dive bar, more like steak than Spam, more like … well you get the point. On May 25, 2010 Foreigner played the Concord Pavilion. Foreigner played a 12 song, 80 minute set from 9:37 to 10:57.
Mick Jones 1. Double Vision (Double Vision record, 1978) is a mid tempo song that began with Mick Jones’s (“MJ’s,” lead guitarist) catchy guitar chord progression and run. MJ wore black Converse sneakers, black jean pants, long sleeve white cotton shirt with vertical satin stripes, black scarf with an intermittent white pattern, and black vest with very fine white polka dots minimally spaced from one another that gave the vest a grey appearance from afar. [As I stood in the photo pit three feet from MJ I was impressed by his dapper state. MJ had a golden tan George Hamilton (American film and television actor) would envy. MJ’s fingernails were finely manicured as if he was about to attend a knighting ceremony by Queen Elizabeth II, and his moustache and goatee were so neatly trimmed his stylist must have used a diamond measuring magnifier.] Immediately before Kelly Hansen (“KH,” lead vocalist) sang the first verse, at approximately the 0:15 mark (approximations presumed throughout), Brian Sutter (“BS,” drummer) played a series of drum fills. The first and second verses featured MJ and Thom Gimbel’s (“TG’s,” rhythm guitarist, saxophonist) chugging guitar chord progressions and Jeff Pilson’s (“JP’s,” bassist) trudging bass lines. During the first and second choruses the tempo slightly slowed down and prominently featured Michael Bluestein’s (“MB’s,” keyboardist) keyboard notes. The tempo escalated and resumed a mid tempo pace when KH sang the last line of the choruses, “My double vision gets the best of me.” During the last 60 seconds of the song the band sang the third chorus.
Foreigner
2. Head Games (Head Games, 1979) is a mid tempo ballad that began with MJ’s guitar chord progression augmented by JP’s solid bass lines and MB’s high keyboard notes. In addition to KH’s powerful voice the first and second verses prominently displayed MB’s keyboard chord progression and JP’s punchy bass lines. JP wore grey sneakers with hot pink trim, black jean pants, and long sleeve black cotton shirt. JP mainly played a natural wood Fender Precision bass with a pearl colored pick guard. [JP is the rocker in the band. JP did not look much different than the first time I saw him perform as Dokken’s bass player opening the show for the mighty Judas Priest in Oakland, California on May 15, 1986, just less hairspray and makeup, somewhat like a girl who goes from being on a first date to becoming a housewife. JP headbanged through most of the set, even during power ballads. Foreigner could have performed the nursery rhyme Mary Had A Little Lamb and JP would still have headbanged as if his head contains a metronome compelling him to do so.] During the first chorus the tempo slightly escalated for 15 seconds, and MJ’s guitar chord progression came to the forefront as KH sang, “Head games … it’s you and me baby. Head games … and I can’t take it anymore. Head games … I don’t wanna play … the head games.” KH then sang the second chorus after which the band engaged in a 30 second jam during which MJ played a memorable guitar solo and KH a tambourine center stage atop the metal ramp next to MB. KH then sang the third verse and chorus.
Jeff Pilson 3. Cold As Ice (Foreigner, 1977) began with MJ playing a very recognizable keyboard chord progression atop a keyboard riser positioned stage right. Ten seconds into the song MJ’s keyboard notes were augmented by BS’s snare and tom tom drums and continued into the first verse as KH sang, “You’re as cold as ice. You’re willing to sacrifice our love. You never take advice. Someday you’ll pay the price … I know.” KH then sang the first chorus that included a 15 second segment during which the tempo slightly slowed down and the tone became more commercial as KH sang, “I’ve seen it before, it happens all the time (ooh-ooh). You’re closing the door, you leave the world behind. You’re digging for gold, you’re throwing away (aah-aah). A fortune in feelings, but someday you’ll pay.” The commercial tone was largely attributed to MB’s “ooh-ooh” and “aah-aah” contributions. KH then sang the second verse that contained slightly varied lyrics from the first verse and was followed by TG’s 10 second guitar solo. The band then exchanged a melodic series of vocal lines, “Cold as ice. You know that you are. Cold as ice. As cold as ice to me. Cold as ice.” MB, TG, and JP sang the phrase, “Cold as ice” while KH sang the remainder. The tempo slightly escalated as the band repeated the phrase, “Cold as ice. You’re as cold as ice, cold as ice, I know.”
4. Can’t Slow Down (Can’t Slow Down, 2009) is the up tempo first single from the band’s most recent record that featured MJ’s groovy guitar chord progression during the first verse. MJ’s catchy guitar riff introduced the first chorus that featured a memorable melody augmented by MB’s keyboard notes and back up vocals. KH then sang the second chorus after which the tempo slightly slowed down, and JP provided a solid foundation for MJ to play a guitar solo on his black Gibson Les Paul.
Kelly Hansen 5. Dirty White Boy (Head Games, 1979). Before Dirty White Boy KH said, “How many naughty girls do we have out there? (screams from female audience members) That’s perfect because I am a Dirty White Boy.” KH wore white sneakers, tight navy blue jean pants, navy blue t shirt with Union Jack logo, black scarf with brown and black vertical stripes on its ends, and powder blue leather jacket. [KH comes from the Mick Jagger school of rock, not only in terms of some stage moves, but also his lanky frame and prominent mouth.] Dirty White Boy is an up tempo song that began with a catchy, bluesy MJ guitar riff reminiscent of B.B. King (black American blues guitarist, singer) that he continued to play into the first verse. When KH transitioned from the first verse to the first chorus the tempo slightly escalated. The first chorus began and ended with BS’s rapid drum fills and also featured JP’s punchy bass lines as KH sang, “’Cause I’m a dirty white boy. Yeah a dirty white boy. A dirty white boy.” The phrase “Dirty White Boy” repeatedly flashed in white letters against a black background on the video screen that stretched to the ends of the large stage. The video screen was comprised of 44 rectangular shaped panels mounted in two rows, each containing 22 panels. During the second verse the tempo slightly slowed down and prominently featured MB’s keyboard chords. MJ then played a fiery, fluid 20 second guitar solo on his black Gibson Les Paul that concluded with harmonic notes. The band then sang the third chorus followed by the third verse that featured two memorable MJ guitar runs. During the last 60 seconds of the song the band thrice repeated the chorus. Dirty White Boy and another song to be performed received the strongest audience reaction.
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