DAWN OF THE NEW CENTURION
Steve "Zetro" Souza is clearly a godfather of all that is thrash metal. While he wasn't the original vocalist of Exodus, he was by far the most recognized. He's definitely a "love him or hate him" type of guy, both with the sound of his voice and with some of his actions in the later days that left Exodus in turmoil on more than one occasion. That said, there is no arguing his importance on Thrash Metal as a genre. His latest project Hatriot, a band that he does with his sons Nick and Cody, is one of many strong things that Zetro has done since leaving Exodus a second time. While it's not the strongest or heaviest project he's done post-Exodus (that award would go to the single released Tenet back in 2009), Hatriot looks to recapture what Souza did best for decades.
THE VIRUS CONSPIRES
For the last five to ten years, I have been championing the return of thrash metal by a series of new bands. Some have made it and built pretty solid careers (Havok, Municipal Waste), and others have come and gone (what happened to Lazarus AD). That said though, there's be no shortage of bands in the last decade that have returned to the roots of thrash to make authentic and new thrash that have been more than welcome to those of us that live in hope that Exodus and Death Angel can continue their winning ways since coming back. In short, it's been very good to have a gluttony of new bands making this kind of music. Formed in 2009, Shrapnel jumps right into the middle of this fold with THE VIRUS CONSPIRES. This release is 100% a facemelter, seemingly cut out of 1988 and intent to simply destroy everything in it's path. It's technically excellent, sonically crushing and as good a thrasher as anything that's come along in awhile.
THE FINAL REVOLUTION
In almost every subgenre of heavy metal, there's a band where you just know what you are going to get before you ever listen to a note of new music from the band. In hard rock, it's AC/DC. In modern rock/metal, it would be Disturbed. In death metal, you could point to Six Feet Under, Cannibal Corpse or just about anyone else. In hardcore, it's definitely Pro-Pain. Before ever playing a single note of THE FINAL REVOLUTION, I had the strongest idea of what was coming. Needless to say, my hunch was correct. THE FINAL REVOLUTION is exactly as advertised. It's violent. It's a clear spit into the face of authority. In short, it's Pro-Pain.
Back in 2009, there were a lot of us that were less than thrilled with Metal Church announced they were disbanding. While not for all fans, there's a lot of people out there that considered their LIGHT IN THE DARK release to be one of the best in the history of the band. And while other releases in the Ronny Munroe era of the band have been hit or miss, they brought it strong in the live environment. Further, releases like WEIGHT OF THE WORLD and THIS PRESENT DARKNESS were not bad efforts per se. They just weren't as good as LIGHT IN THE DARK or the classic era material. Having seen the Munroe led version of Metal Church a few times, it was really disheartening to hear they had broken up. Thankfully though, they have brought the band back together after a few years away to regroup, adapt to the business model of modern recording, and just recharge the batteries. The resulting GENERATION NOTHING is a very, very strong effort from the mighty Metal Church.
DARK ROOTS OF THRASH
On my radio show, THE CLASSIC METAL SHOW, we have a long running argument about the Bay Area Thrash bands. We talk about if you could only keep one band's catalog, whose would it be. Would it be Metallica? Megadeth? Or would it be this band, Testament. Certainly there is no denying the greatness of MASTER OF PUPPETS or RUST IN PEACE. But with Testament, you have no ST. ANGER. There is no RISK. There is no sellout period, with the exception of DEMONIC where they sold out to the darker side and took a stab at being heavier than they had been to that point. It's a tough debate, really. While I think I'd still take Metallica based solely on the brilliance of the albums up to and through the Black album, there really is no way you could go wrong with the Testament catalog.