• Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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Review - Soulfly ENSLAVED

Image: Soulfly, Enslaved, Pitriff, CD ReviewSoulfly
ENSLAVED

It’s kind of odd really how time has worked with Max Cavalera. Back when Soulfly came out, the best quality of the band was that it took Max’s music fully into directions he wanted to explore bout really couldn’t with Sepultura. For many people, they will say quite a different thing, but hear me out. Far too many people criticized Soulfly for NOT sounding like Sepultura’s ARISE or CHAOS A.D., even though that really was never the intention. Somewhat predictably though, the years that have gone by has seen Cavalera progress (or regress depending on your stance) more and more toward the classic Sepultura sound. The last two albums, OMEN and DARK AGES, could easily have been mistaken for Sepultura reunion albums. The same can be said about Cavalera’s project with his brother, Cavalera Conspiracy. The same can now be said about ENSLAVED.

With ENSLAVED, Cavalera breaks no new ground at all. The entire album is one furious blast forward after another; a never ending blast of hammer to the face speed metal that borders from time to time on death metal. Gone is the punch, Korn-influenced vibe of past Soulfly songs like “Jumpdafuckup” or “Back To The Primitive”. In its place, you get slammed over the head with dose after does of speed and aggression. Songs like “Legions” are very much stylisically similar to material from the past – songs like “Arise” come to mind. If you were a fan of the first three or four Sepultura albums (up through CHAOS AD), there’s really no reason you won’t dig ENSLAVED.

Therein lies the bigger issue though. Soulfly has really stagnated. In large part, Cavalera is way overexposed at this point. He’s released 5 full length albums in the last 5 years, and the resulting effect has been a lack of song development and a gluttony of songs that are written to sound like the past instead of truly being organic development off ideas. Listening to a song like “Intervention”, you have to think that Cavalera simply consciously (or unconsciously) took an old song like “Dictatorshit” and repopulated the ideas with new lyrics and a slightly different guitar arrangement. Certainly it’s a good tune, and guitarist Marc Rizzo and new drummer David Kincade enhance it, but it just sounds like stuff we’ve heard before from Cavalera. Yes, ENSLAVED is a solid album, but it’s a bit tired because Cavalera himself has put out far too much similar material to it in the last five years.

PITRIFF RATING – 75/100 - Max Cavalera will always be one of my favorite metal guys ever. ARISE was the first disc I owned that took me from Bay Area Thrash to a whole new level of heaviness. That said though, it’s time for Max and company to take a break after this one. While I can listen to this kind of heavy music all day long, its never good when everything you do all starts to blend together to where there’s nothing distinguishable about it. That time has clearly come with Cavalera and Soulfly. It’s good as they all are, but even a hardcore fan would be hard pressed to distinguish any of this from anything else of the last five years.

Chris Akin

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