II: VOID WORSHIP
In the epic world of doom metal, there are a lot of pretenders. There are only a few that are truly authentic though. Pilgrim is one of the most authentic I think I've ever heard. Their grinding, slow moving sludge is such from which legends put on this Earth to slay anyone or anything in it's path. Made up of The Wizard on vocals, guitars and bass and Krolg (Slayer Of Men) on drums, PILGRIM have created an behemoth of a release that's almost too heavy to listen to in a single sitting. From start to finish, the tempo of VOID WORSHIP rarely changes. It's slow, methodical and constant. If you took a regular song, hooked an anchor to each band member, and had them drag it around as they played it, this is what it would sound like near the end. Take that as a good thing, because the material fits this tempo. Tracks like "Void Worship" and "The Paladin" are intense listening experiences which simply grind out awesomeness from start to finish.
Fist Fight In The Parking Lot
YEAR OF THE OX
Wow, here's one that's unexpected. With a name that sounds like one of these bad emocore bands of the modern day, Fist Fight In The Parking Lot is a deep, heavy and damn near perfect doom metal band that breaks the mold by adding a female vocalist to the front of their thick, heavy sludge. There's a lot to say here, but the main word that keeps coming to mind is, simply, "wow"! As we march our way into 2014, it's clear that Fist Fight In The Parking Lot are the first new band to land on my radar for the upcoming year. YEAR OF THE OX just flat out rocks!
There are great recordings, and then there are releases that just get better each and every time you listen to them. SpiralArms new release FREEDOM is one of those releases. I loved it the first time I heard it, and it's done nothing but get stronger with each and every listen for me. Maybe it's the mood I'm in these days, or maybe it's just that great music is coming out fast and furiously, but it seems like for the past two months, each release has been better than the last. In the last 3 months alone, I've proclaimed "album of the year" twice before...Vista Chino's PEACE and Scorpion Child's self-titled debut. Now, I'm proclaiming it once again. Full of diversity and influences from all the right bands in the history of rock and metal, FREEDOM stands as the lone perfect listening experience of 2013 for me. This one is a stunner.
Financial politics once again ruins a great band. In this case, it's the greatest band of the stoner rock genre, Kyuss. With heated debates about publishing and the payments from such things, Kyuss split up. Part of them became Queens Of The Stone Age, and other parts had various titles like Sloburn, Hermano and, eventually, Kyuss Lives. That wasn't allowed due to more legal bullshit, so Kyuss Lives became Vista Chino. To be blunt about it, I'm still personally pissed off at all these guys for ruining a band I've enjoyed throughout my life as much as any. BLUES FOR THE RED SUN is about as good of a rock album has ever been recorded in my eyes; it never leaves my iPod or goes unattended too long. I've never dug Queens Of The Stone Age much, and to be honest, really wasn't overwhelmed by Hermano or Sloburn either. In short, these guys legal bullshit killed what I, personally, was digging.
About every two to three years, a band comes along that I have never heard of that absolutely overwhelms me. A few years ago, it was Volbeat that came out of nowhere and really struck a chord with me. Most recently, that Halestorm record just stays in my player and gets play several times a week. Following an impressive performance at ROCK ON THE RANGE as well as a very fun hang with them after their performance, a new band has jumped on my radar. That band is Scorpion Child. With interest, their self-titled release found it's way to me a week after ROCK ON THE RANGE, and it's been stuck in my player (and my head) ever since. As of today, July 9th, 2013, SCORPION CHILD is the metal album of the year in my eyes. A new band for me to follow religiously has been launched to the world.