• Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Fist Fight In The Parking Lot

Image: Fist Fight In The Parking Lot, Year Of The Ox, Pitriff, Review, Stoner MetalFist Fight In The Parking Lot
YEAR OF THE OX

Wow, here's one that's unexpected. With a name that sounds like one of these bad emocore bands of the modern day, Fist Fight In The Parking Lot is a deep, heavy and damn near perfect doom metal band that breaks the mold by adding a female vocalist to the front of their thick, heavy sludge. There's a lot to say here, but the main word that keeps coming to mind is, simply, "wow"! As we march our way into 2014, it's clear that Fist Fight In The Parking Lot are the first new band to land on my radar for the upcoming year. YEAR OF THE OX just flat out rocks!

It's easy to simply narrow things and point to vocalist Abby Krizner as the focal point of the band. She is an absolute temptress vocally. In a lot of ways, she has a clean vocal that strongly reminds of Crisis vocalist Karyn Crisis from a decade ago. Her soft inflections and clarity on songs like "Natural Fool" are as enticing as you will hear from a singer. She is a masterful singer, both in her actual sound and the inflection that she brings to all the right places. I'm not sure how to explain this, but she just lures you in with at once powerful and demure way of putting forth lyrics. Maybe it's just because her sound and her band are new to me, but hearing Krizner sing is about as compelling as anything I've listened to in quite awhile.

This is not to say that Krizner is the whole story, or even the major part of it. In fact, it's the work that the band does behind her that elevates her performance. The music on YEAR OF THE OX is amazingly good. They are in a lot of ways like Crowbar in that their doom sound is slightly less than a mid-tempo in most spots, but thick and furious all the while. Additionally, the production on YEAR OF THE OX is masterful, which just enhances the entire project. Songs like the raging "Horsemouth" are driven by a wicked rhythm provided by guitarist Jason Sichi and a thick bottom end delivered by drummer Chris Ruane and bassist John McCallough. On this song, even more vocal range from leaps out from Krizner as well, reminding a lot of Kate French in her days with Chastain on some of the more growly parts of the song.

PITRIFF RATING - 96/100 - YEAR OF THE OX is a pretty masterful, impressive release from Fist Fight In The Parking Lot. The name of the band is probably going to hurt them because it's misleading many people to considering them part of a shitty genre. If they get past that though, fans of doom metal that love stuff like old Cathedral, Kyuss and the like will fall in love with this EP. This is REALLY impressive.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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