If you've followed along with the whole Queensryche saga over the last few months and you are a fan, you are almost embarrassed to claim that fandom in public at this point. For a band that was once so proud of the fact that they were above the fray of their contemporaries, it's just flat out embarrassing to see the sad division of a band that was once so creatively excellent. Now, we have two Queensryches out there. The first one, made up of the "rest of the guys" and new vocalist Todd LaTorre, have proclaimed a return to the classic sound of the first five releases. They have been somewhat classier than Geoff Tate during the whole split, but at the same time haven't been shy to point fingers and make their private legal battle with Tate immensely public. Whatever, I guess...everyone's got to get the word out about their project. As for vocalist Geoff Tate...well, he's kind of gone insane the last few months publicly. Over the last few months, we've heard everything from why it was alright to spit in the face of his former drummer, rants from the stage where he told fans of the band that they suck, and yes, even stereotyping talk about the man's dick size. Certainly, the legacy has taken a lot of tarnish during this time.
FIRE MAKE THUNDER
We're definitely in a different musical age. Certainly, the digital age has produced a new way to record music, but I doubt a nationally signed act has ever done a full, completely fleshed out project quite the way OSI did. For those that don't know, OSI is a project featuring Jim Matheos of Fates Warning fame, and Kevin Moore who's best known for his time in Dream Theater. What's so different about this? Well, the guys have created a completely intricate, deep and fully fleshed out sound without ever spending a moment in the studio. That's right - FIRE MAKE THUNDER is 100% the product of the electronic age. I think if I was in this band, I would have called this EMAIL, since they undoubtedly spent hours emailing back and forth, skyping, and FTPing tracks back and forth.