• Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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  • Evergrey - HYMNS FOR THE BROKEN

    Image: Evergrey, Hymns For The Broken, Review, Progressive Metal Evergrey
    HYMNS FOR THE BROKEN

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    In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have

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  • Ace Frehley - SPACE INVADER

    Image: Ace Frehley, Space Invader, Pitriff, Classic Metal, Reviews Ace Frehley
    SPACE INVADER

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    Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is

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  • Blackberry Smoke - LEAVE A SCAR

    Image: Blackberry Smoke, Leave A Scar, Pitriff, Review, Rock Blackberry Smoke
    LEAVE A SCAR - LIVE IN NORTH CAROLINA

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    Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and

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  • Skid Row - UNITED WORLD REBELLION, CHAPTER 2

    Image: Skid Row, United World Rebellion Chapter 2, Pitriff, Classic Metal, Review Skid Row
    UNITED WORLD REBELLION, CHAPTER 2

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    Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got

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  • Downset - ONE BLOOD

    Image: Downset, One Blood, Pitriff, Review Downset
    ONE BLOOD

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    As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE

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  • Madball - HARDCORE LIVES

    Image: Pitriff, Madball, Hardcore Lives, Pitriff, Harcore Madball
    HARDCORE LIVES

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    As a total fan of hardcore metal, it's a genre that doesn't always make a lot of sense. Certainly, there's no real questioning why a band like Agnostic Front is the "Black Sabbath" of the genre. Equally, it's not much of a surprise that Biohazard was so well regarded as they broke the style into the mainstream with the big

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  • Accept - BLIND RAGE

    Image: Accept, Blind Rage, Pitriff, Clasic Metal, Review Accept
    BLIND RAGE

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    Accept continue to rage on. Since his debut with the band, it's as clear as can be that vocalist Mark Tornillo has completely revitalized this band. His first two discs with the band, BLOOD OF THE NATIONS and STALINGRAD, were both masterpieces that sit near the top of the Accept catalog...regardless of who the singer is. This is not to

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  • John Garcia - JOHN GARCIA

    Image: John Garcia, John Garcia, review, stoner metal, review, pitriff John Garcia
    JOHN GARCIA

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    For many of you, the name John Garcia doesn't mean a whole lot. I get that. For some of us - people that have long loved the world of Stoner Rock and Metal, John Garcia is every bit the musical God that people like Ronnie James Dio, Rob Halford and Bruce Dickinson are in the world of "classic metal". With

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  • Godsmack - 1000HP

    Image: Godsmack, 1000hp, review, pitriff, modern metal Godsmack
    1000HP

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    I must be getting old, because recently, I've noticed my attitude softening toward the dreaded "nu-metal" bands of fifteen years ago. Maybe it's just nostalgia for what I now perceive (incorrectly, I'm sure) as a simpler time, but the burnout and disinterest I felt circa 2002, the year I quit seriously listening to mainstream rock radio has mellowed of late. Don't

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  • Wovenwar - WOVENWAR

    Image: Wovenwar, Pitriff, CD Review, Modern Metal Wovenwar
    WOVENWAR

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    More singers should try to have their wives killed if the resulting project to come from that nightmare sounds like Wovenwar. Holy shit is this project great! Being perfectly honest, I wasn't much of an As I Lay Dying fan, so hearing that the surviving members were forming a new project and carrying on with a new singer and new name

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  • Overkill - WHITE DEVIL ARMORY

    Image: Overkill, White Devil Armory, Pitriff, Review, Thrash Metal

    Overkill
    WHITE DEVIL ARMORY

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    Holy shit! Who saw this coming? In an astonishing detour off the band's well-trampled musical path. Their latest album ventures into heretofore uncharted territories, embracing such unexpected sonic offshoots as Eastern-tinged black metal, polka-dotted folk-metal, and, in what is sure to be a harbinger of trends to come, Tuvan throat-singing.

    Nah, just fuckin' with you to see if you

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  • Fozzy - DO YOU WANNA START A WAR

    Image: Fozzy, Do You Wanna Start A War, Pitriff, Modern Metal, Review Fozzy
    DO YOU WANNA START A WAR

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    All the stars are aligned for me to be an absolute worshipper of Fozzy. And yet, I'm just not. It's not that I don't want to be. I'm a huge fan of the WWE, which is where Chris Jericho calls home professionally at least part of the time. To that fact, I'm a fan of Chris

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  • Goatwhore - Constricting Rage Of The Merciless

    Image: Goatwhore, pitriff, review, death metal Goatwhore
    CONSTRICTING RAGE OF THE MERCILESS

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    Here's one for the stout of heart and strong of neck: New Orleans's Goatwhore have just barfed up their sixth album, and if you liked the last few releases, Constricting Rage of the Merciless is sure to appease your charred heart. If you haven't been following along, Goatwhore is sort of a supergroup, if having members of

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  • Blues Pills - BLUES PILLS

    Image: Blues Pills, Blues Pills, Stoner Rock, Pitriff Blues Pills
    BLUES PILLS

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    It's not a secret that this whole retro movement in the worlds of Hard Rock and Heavy Metal has been an absolutely God sent for my musical palette. For so many years now, probably 20 or more, the ONLY band I've had to hold onto when I wanted new music from a band who's influences were steeped into the

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  • Unbreakable - KNOCKOUT

    Image: unbreakable, knockout, review, classic metal, pitriff Unbreakable
    KNOCKOUT

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    Retro has become in these days, and there are more and more bands creeping up that have harkened their sound back to a time that left well over 30 years ago. The last 2 years have seen an influx of bands reaching back to the '70s. Bands like Blues Pills, Vista Chino, Scorpion Child and Rival Sons have all emerged with

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  • The Treatment - RUNNING WITH THE DOGS

    Image: The Treatment, Running With The Dogs, Pitriff, Classic Metal, Review The Treatment
    RUNNING WITH THE DOGS

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    Admit it: you've just about given up on England when it comes to producing quality rock 'n' roll. The land that brought us the Beatles, the Stones, Zeppelin, and of course the revered NWOBHM--in the past twenty-five years, what have they given us? The Wildhearts? Come on. The Darkness? Come the fuck on!

    The Treatment are a

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  • Arch Enemy - WAR ETERNAL

    Image: Arch Enemy, War Eternal, review, death metal, kip massey, pitriff Arch Enemy
    WAR ETERNAL

    The big story surrounding Arch Enemy's ninth studio album is that the band has done the impossible. They replaced their lead singer calmly, quietly, and without anybody knowing about it until it was already done—and somehow didn't miss a beat in the process. It's hard enough to replace a singer just once, but Arch Enemy has done it twice, and while

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  • California Breed - CALIFORNIA BREED

    Image: California Breed, Pitriff, Non Metal, Review California Breed
    CALIFORNIA BREED

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    It definitely sucks when you watch a band that you are REALLY a fan of implode. For me, that's just what I had to do with Black Country Communion. As the band that I think a lot of people compared head to head with Sammy Hagar's supergroup Chickenfoot, BCC stormed out quickly and recorded three tremendous releases. Still, as

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  • MuckRaker - KARMAGEDDON

    Image: Karmagaddon, Muckraker, Pitriff, Stoner Metal, Review MuckRaker
    KARMAGEDDON

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    One of the hardest things I'm tasked to do when reviewing bands is to look past the individual history of the members when a new project pops up. Many times, you really can't help but to think about a guy's past work in another band. That's especially true when the guy is the singer. MuckRaker is one of those bands for

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KXM - KXM

Image: KXM, George Lynch, Dug Pinnick, Ray Luzier, PitriffKXM
KXM

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Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll allow the following for this review. First, I'm not a fan of Dug Pinnick's music at all. I've interviewed him several times (I think five times, actually), and he's a super cool guy, but musically I've just never, ever gotten King's X as much as I've wanted to understand why so many just worship them. In many ways, King's X falls into that category that Dream Theater does for me - that I just don't understand the appeal of. As for Lynch, again putting it out there, I work for Dokken as their webmaster and also for current Dokken guitarist Jon Levin as his as well. That said, I think Lynch has the distinction of not only recording some of the best music of the "hair era and beyond (because LYNCH/PILSON was by far his best recorded work), but he's also recorded two of the worst albums of all time in my ears in Dokken's SHADOWLIFE and Lynch Mob's SMOKE THIS. I haven't liked much of Lynch's work in a long time, as Microdot, Souls of We and other stuff I'm sure I'm missing have just not been very good. As for Luzier, I think I met him once at a David Lee Roth show in the late 90s, enjoyed the DLR Band album he played on, like Korn, and also remember that he had some sort of association with Darren Householder from one of my favorite bands that never made it big, Love/Hate. So there, it's on the table.

The reason I'm putting it on the table? Because I know that no matter what I write next is going to be met with a bunch of criticism. If I say I hate KXM, it's because I hate King's X or Lynch. If I say I like it, it's because I'm a Korn fan. At least now, you can take this review with the proper grain of salt.

The truth though is that, aside from the single "Release Me", KXM is actually a pretty solid listen. I don't love it, but certainly don't hate it either. As a fan of somewhat experimental projects, KXM seems to cross a lot of boundaries that many bands probably wouldn't try to go across. It's hard not to hear King's X from song to song when Pinnick is so much the pivotal member of that band, but throughout KXM, he's added just a hint more texture to his vocal presentation to come across closer to Jeff Scott Soto than his own back catalog. Again, that's just a little difference, and certainly you won't be mistaking one for the other any time soon. Still, he sounds pretty compelling on songs like "Gun Fight".

As for Lynch, KXM is one of those releases from him where his love of trying to not repeat his past has helped him more than hurt him. On other projects (specifically Souls Of We), he stretched far past what made him great. Here on songs like "Faith Is A Room", he seems to explore some kind of odd double tuning in his playing that mixes both modern guitar sound and a deeper tuning that he used in Lynch Mob on REVOLUTION LIVE. Lynch sounds pretty solid here, and is accompanied well by Luzier, who's got a machine gun sounding tribal beat going underneath Lynch and Pinnick on this song.

While overall, KXM is pretty solid, it does come with some missteps. As previously mentioned, the first single "Release Me" is just not a good song. It's far too filled with weirdness, specifically from Lynch who seems to be trying to create too much texture instead of just playing and driving the song with his guitar. The other song that really shouldn't have made this album is the somber, almost pathetic tale of spousal abuse and a mother's willingness to take it called "Sleep". I think it was supposed to be a blues song, but it fails here hard. Lynch's guitar playing is far too metal for the blues solo he provides, and Pinnick is comes off more whiny than feeling deeply pained as I think he was going for. Definitely an immediate skip on future listenings of this release.

PITRIFF RATING - 74/100 - Overall, KXM is a pretty cool project. I would love to see these guys tour with the Winery Dogs just to see the end of show jam that would almost certainly end each show. This is a project that could very potentially have some legs to it, and they are off to a solid start.

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