• Fozzy - DO YOU WANNA START A WAR

    Image: Fozzy, Do You Wanna Start A War, Pitriff, Modern Metal, Review Fozzy
    DO YOU WANNA START A WAR

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    All the stars are aligned for me to be an absolute worshipper of Fozzy. And yet, I'm just not. It's not that I don't want to be. I'm a huge fan of the WWE, which is where Chris Jericho calls home professionally at least part of the time. To that fact, I'm a fan of Chris

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  • Goatwhore - Constricting Rage Of The Merciless

    Image: Goatwhore, pitriff, review, death metal Goatwhore
    CONSTRICTING RAGE OF THE MERCILESS

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    Here's one for the stout of heart and strong of neck: New Orleans's Goatwhore have just barfed up their sixth album, and if you liked the last few releases, Constricting Rage of the Merciless is sure to appease your charred heart. If you haven't been following along, Goatwhore is sort of a supergroup, if having members of

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  • Blues Pills - BLUES PILLS

    Image: Blues Pills, Blues Pills, Stoner Rock, Pitriff Blues Pills
    BLUES PILLS

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    It's not a secret that this whole retro movement in the worlds of Hard Rock and Heavy Metal has been an absolutely God sent for my musical palette. For so many years now, probably 20 or more, the ONLY band I've had to hold onto when I wanted new music from a band who's influences were steeped into the

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  • Unbreakable - KNOCKOUT

    Image: unbreakable, knockout, review, classic metal, pitriff Unbreakable
    KNOCKOUT

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    Retro has become in these days, and there are more and more bands creeping up that have harkened their sound back to a time that left well over 30 years ago. The last 2 years have seen an influx of bands reaching back to the '70s. Bands like Blues Pills, Vista Chino, Scorpion Child and Rival Sons have all emerged with

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  • The Treatment - RUNNING WITH THE DOGS

    Image: The Treatment, Running With The Dogs, Pitriff, Classic Metal, Review The Treatment
    RUNNING WITH THE DOGS

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    Admit it: you've just about given up on England when it comes to producing quality rock 'n' roll. The land that brought us the Beatles, the Stones, Zeppelin, and of course the revered NWOBHM--in the past twenty-five years, what have they given us? The Wildhearts? Come on. The Darkness? Come the fuck on!

    The Treatment are a

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  • Arch Enemy - WAR ETERNAL

    Image: Arch Enemy, War Eternal, review, death metal, kip massey, pitriff Arch Enemy
    WAR ETERNAL

    The big story surrounding Arch Enemy's ninth studio album is that the band has done the impossible. They replaced their lead singer calmly, quietly, and without anybody knowing about it until it was already done—and somehow didn't miss a beat in the process. It's hard enough to replace a singer just once, but Arch Enemy has done it twice, and while

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  • California Breed - CALIFORNIA BREED

    Image: California Breed, Pitriff, Non Metal, Review California Breed
    CALIFORNIA BREED

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    It definitely sucks when you watch a band that you are REALLY a fan of implode. For me, that's just what I had to do with Black Country Communion. As the band that I think a lot of people compared head to head with Sammy Hagar's supergroup Chickenfoot, BCC stormed out quickly and recorded three tremendous releases. Still, as

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  • MuckRaker - KARMAGEDDON

    Image: Karmagaddon, Muckraker, Pitriff, Stoner Metal, Review MuckRaker
    KARMAGEDDON

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    One of the hardest things I'm tasked to do when reviewing bands is to look past the individual history of the members when a new project pops up. Many times, you really can't help but to think about a guy's past work in another band. That's especially true when the guy is the singer. MuckRaker is one of those bands for

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  • Judas Priest - REDEEMER OF SOULS

    judas priest, redeemer of souls, power metal Judas Priest
    REDEEMER OF SOULS

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    Judas Priest has a lot to atone for in the eyes of all fans except for Jim "Nostradamus" Bartek. Given the fact that Bartek's 524 day listening streak to NOSTRADAMUS probably doubled the count of the rest of the Priest fanbase combined, it's clear that the once Mighty Priest needed to do something very, very metal this time

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  • Quiet Riot - 10

    Image: Quiet Riot, Jizzy Pearl, 10, Pitriff, reviews Quiet Riot
    10

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    I'm generally excited when Jizzy Pearl fronts any band. He's one of my favorite singers out there from the classic metal era; a distinct sounding guy who has proven to be a chameleon while maintaining a sound there is no mistaking. Jizzy joining Quiet Riot was a welcome thought to me, personally. While I've never been a huge Quiet Riot

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  • Black Stone Cherry - MAGIC MOUNTAIN

    Image: Black Stone Cherry, Magic Mountain, Classic Metal, Review, Pitriff Black Stone Cherry
    MAGIC MOUNTAIN

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    Well, they finally did it. After nearly a decade of being hailed as the new kings of southern rock, and receiving favorable comparisons to Zeppelin and Skynyrd, western Kentucky's Black Stone Cherry have released an album that's worthy of all the praise.

    I've always liked the IDEA of Black Stone Cherry. I mean, what's not to like about

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  • American Dog - NEANDERTHAL

    Image: Neanderthal, American Dog, Classic Metal, Pitriff, Review American Dog
    NEANDERTHAL

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    God bless American Dog! For fifteen years, a bunch of blue-collar working stiffs from Columbus, Ohio have been churning out their brand of greasy, grimy redneck metal, and doing it all themselves. You gotta respect a band with American Dog's tenacity, toiling away in obscurity while other, much lesser bands soak up the major-label success. Oh yeah, and the tunes

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  • Hurtsmile - RETROGRENADE

    Image: Hurtsmile, Gary Cherone, classic metal, review, pitriff, chris akin Hurtsmile
    RETROGRENADE

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    For so many people, they hear Gary Cherone's name and immediately think about the failed Van Halen album III that he fronted. I get it. How can you not? It was such an unbelievably bad effort, and really should never have had the Van Halen name on it at all. Unfortunately though, Cherone has always been the blamesake of that release,

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  • U.D.O. - STEELHAMMER: LIVE FROM MOSCOW

    Image: Steelhammer, U.D.O., classic metal, review, pitriff U.D.O.
    STEELHAMMER - LIVE FROM MOSCOW

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    I really have no idea why U.D.O. is not a much, much bigger band than they are. Without question, everyone is all too quick to celebrate Accept, both with and without vocalist Udo Dirkschneider in the band. And yet, for all the love fans have for Dirkschneider's era of Accept, U.D.O. has really remained an afterthought instead of

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  • Ronny Munroe - ELECTRIC WAKE

    Image: Ronnie Munroe, Electric Wake, review, thrash metal, metal church Ronny Munroe
    ELECTRIC WAKE

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    One of the most disrespected singers in all of heavy metal, Ronny Munroe has more than ably fronted Metal Church for a decade now. Fronting Metal Church since 2004, the band has been a touch inconsistent (A LIGHT IN THE DARK and GENERATION NOTHING being great, WEIGHT OF THE WORLD and THIS PRESENT WASTELAND being a bit forgettable), but

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  • Vader - TIBI ET IGNI

    Image: Vader, Tivi Et Igni, Pitriff, review, death metal Vader
    TIBI ET IGNI

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    I could write all kinds of stuff about how Vader are the icons of Polish Death Metal. I could put all kinds of praise on them, and talk about how they and Behemoth are the trendsetters that allowed people to understand that Poland had some death metal brilliance coming out of their country. I could talk for a long

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  • Tesla - SIMPLICITY

    Image: Tesla, Simplicity, classic metal, review, pitriff Tesla
    SIMPLICITY

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    Even as a fan of Tesla, it's not hard to look at the band and find them to be somewhat less than energetic when it comes to putting out new music. They've now come forth with just their 7th studio album of new material since 1986. Let's be honest here, folks...that's not a lot of material over a VERY LONG period

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  • Tankard - R.I.B.

    Image: Tankard, R.I.B., thrash metal, review, chris akin, pitriff Tankard
    R.I.B.

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    I really don't think that, of all the bands out there, Tankard could ever do anything I don't appreciate in some way or another. Let's face it, if ever there was a "Chris Akin" band, Tankard would be it. They make the kind of metal that is closest to my heart - Thrash with just a touch of melody to make it

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KXM - KXM

Image: KXM, George Lynch, Dug Pinnick, Ray Luzier, PitriffKXM
KXM

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Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll allow the following for this review. First, I'm not a fan of Dug Pinnick's music at all. I've interviewed him several times (I think five times, actually), and he's a super cool guy, but musically I've just never, ever gotten King's X as much as I've wanted to understand why so many just worship them. In many ways, King's X falls into that category that Dream Theater does for me - that I just don't understand the appeal of. As for Lynch, again putting it out there, I work for Dokken as their webmaster and also for current Dokken guitarist Jon Levin as his as well. That said, I think Lynch has the distinction of not only recording some of the best music of the "hair era and beyond (because LYNCH/PILSON was by far his best recorded work), but he's also recorded two of the worst albums of all time in my ears in Dokken's SHADOWLIFE and Lynch Mob's SMOKE THIS. I haven't liked much of Lynch's work in a long time, as Microdot, Souls of We and other stuff I'm sure I'm missing have just not been very good. As for Luzier, I think I met him once at a David Lee Roth show in the late 90s, enjoyed the DLR Band album he played on, like Korn, and also remember that he had some sort of association with Darren Householder from one of my favorite bands that never made it big, Love/Hate. So there, it's on the table.

The reason I'm putting it on the table? Because I know that no matter what I write next is going to be met with a bunch of criticism. If I say I hate KXM, it's because I hate King's X or Lynch. If I say I like it, it's because I'm a Korn fan. At least now, you can take this review with the proper grain of salt.

The truth though is that, aside from the single "Release Me", KXM is actually a pretty solid listen. I don't love it, but certainly don't hate it either. As a fan of somewhat experimental projects, KXM seems to cross a lot of boundaries that many bands probably wouldn't try to go across. It's hard not to hear King's X from song to song when Pinnick is so much the pivotal member of that band, but throughout KXM, he's added just a hint more texture to his vocal presentation to come across closer to Jeff Scott Soto than his own back catalog. Again, that's just a little difference, and certainly you won't be mistaking one for the other any time soon. Still, he sounds pretty compelling on songs like "Gun Fight".

As for Lynch, KXM is one of those releases from him where his love of trying to not repeat his past has helped him more than hurt him. On other projects (specifically Souls Of We), he stretched far past what made him great. Here on songs like "Faith Is A Room", he seems to explore some kind of odd double tuning in his playing that mixes both modern guitar sound and a deeper tuning that he used in Lynch Mob on REVOLUTION LIVE. Lynch sounds pretty solid here, and is accompanied well by Luzier, who's got a machine gun sounding tribal beat going underneath Lynch and Pinnick on this song.

While overall, KXM is pretty solid, it does come with some missteps. As previously mentioned, the first single "Release Me" is just not a good song. It's far too filled with weirdness, specifically from Lynch who seems to be trying to create too much texture instead of just playing and driving the song with his guitar. The other song that really shouldn't have made this album is the somber, almost pathetic tale of spousal abuse and a mother's willingness to take it called "Sleep". I think it was supposed to be a blues song, but it fails here hard. Lynch's guitar playing is far too metal for the blues solo he provides, and Pinnick is comes off more whiny than feeling deeply pained as I think he was going for. Definitely an immediate skip on future listenings of this release.

PITRIFF RATING - 74/100 - Overall, KXM is a pretty cool project. I would love to see these guys tour with the Winery Dogs just to see the end of show jam that would almost certainly end each show. This is a project that could very potentially have some legs to it, and they are off to a solid start.

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