• Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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  • Evergrey - HYMNS FOR THE BROKEN

    Image: Evergrey, Hymns For The Broken, Review, Progressive Metal Evergrey
    HYMNS FOR THE BROKEN

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    In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have

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  • Ace Frehley - SPACE INVADER

    Image: Ace Frehley, Space Invader, Pitriff, Classic Metal, Reviews Ace Frehley
    SPACE INVADER

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    Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is

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  • Blackberry Smoke - LEAVE A SCAR

    Image: Blackberry Smoke, Leave A Scar, Pitriff, Review, Rock Blackberry Smoke
    LEAVE A SCAR - LIVE IN NORTH CAROLINA

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    Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and

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  • Skid Row - UNITED WORLD REBELLION, CHAPTER 2

    Image: Skid Row, United World Rebellion Chapter 2, Pitriff, Classic Metal, Review Skid Row
    UNITED WORLD REBELLION, CHAPTER 2

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    Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got

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  • Downset - ONE BLOOD

    Image: Downset, One Blood, Pitriff, Review Downset
    ONE BLOOD

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    As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE

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KXM - KXM

Image: KXM, George Lynch, Dug Pinnick, Ray Luzier, PitriffKXM
KXM

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Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll allow the following for this review. First, I'm not a fan of Dug Pinnick's music at all. I've interviewed him several times (I think five times, actually), and he's a super cool guy, but musically I've just never, ever gotten King's X as much as I've wanted to understand why so many just worship them. In many ways, King's X falls into that category that Dream Theater does for me - that I just don't understand the appeal of. As for Lynch, again putting it out there, I work for Dokken as their webmaster and also for current Dokken guitarist Jon Levin as his as well. That said, I think Lynch has the distinction of not only recording some of the best music of the "hair era and beyond (because LYNCH/PILSON was by far his best recorded work), but he's also recorded two of the worst albums of all time in my ears in Dokken's SHADOWLIFE and Lynch Mob's SMOKE THIS. I haven't liked much of Lynch's work in a long time, as Microdot, Souls of We and other stuff I'm sure I'm missing have just not been very good. As for Luzier, I think I met him once at a David Lee Roth show in the late 90s, enjoyed the DLR Band album he played on, like Korn, and also remember that he had some sort of association with Darren Householder from one of my favorite bands that never made it big, Love/Hate. So there, it's on the table.

The reason I'm putting it on the table? Because I know that no matter what I write next is going to be met with a bunch of criticism. If I say I hate KXM, it's because I hate King's X or Lynch. If I say I like it, it's because I'm a Korn fan. At least now, you can take this review with the proper grain of salt.

The truth though is that, aside from the single "Release Me", KXM is actually a pretty solid listen. I don't love it, but certainly don't hate it either. As a fan of somewhat experimental projects, KXM seems to cross a lot of boundaries that many bands probably wouldn't try to go across. It's hard not to hear King's X from song to song when Pinnick is so much the pivotal member of that band, but throughout KXM, he's added just a hint more texture to his vocal presentation to come across closer to Jeff Scott Soto than his own back catalog. Again, that's just a little difference, and certainly you won't be mistaking one for the other any time soon. Still, he sounds pretty compelling on songs like "Gun Fight".

As for Lynch, KXM is one of those releases from him where his love of trying to not repeat his past has helped him more than hurt him. On other projects (specifically Souls Of We), he stretched far past what made him great. Here on songs like "Faith Is A Room", he seems to explore some kind of odd double tuning in his playing that mixes both modern guitar sound and a deeper tuning that he used in Lynch Mob on REVOLUTION LIVE. Lynch sounds pretty solid here, and is accompanied well by Luzier, who's got a machine gun sounding tribal beat going underneath Lynch and Pinnick on this song.

While overall, KXM is pretty solid, it does come with some missteps. As previously mentioned, the first single "Release Me" is just not a good song. It's far too filled with weirdness, specifically from Lynch who seems to be trying to create too much texture instead of just playing and driving the song with his guitar. The other song that really shouldn't have made this album is the somber, almost pathetic tale of spousal abuse and a mother's willingness to take it called "Sleep". I think it was supposed to be a blues song, but it fails here hard. Lynch's guitar playing is far too metal for the blues solo he provides, and Pinnick is comes off more whiny than feeling deeply pained as I think he was going for. Definitely an immediate skip on future listenings of this release.

PITRIFF RATING - 74/100 - Overall, KXM is a pretty cool project. I would love to see these guys tour with the Winery Dogs just to see the end of show jam that would almost certainly end each show. This is a project that could very potentially have some legs to it, and they are off to a solid start.

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