• Halestorm - INTO THE WILD LIFE

    Image: Halestorm, Into The Wild Life, Pitriff, heavy metal, reviews, interviews Halestorm
    INTO THE WILD LIFE

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    With the release of THE STRANGE CASE OF…, I fell in love with Lzzy Hale. So much so, in fact, that I jokingly got down on one knee and asked her to marry me at Rock On The Range two years ago (a proposal that she didn’t flat out turn down, so maybe there’s still hope!!). Let’s be

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  • Marilyn Manson - THE PALE EMPEROR

    Image: Marilyn Manson, The Pale Emperor, Pitriff, Modern Metal, Reviews Marilyn Manson
    THE PALE EMPEROR

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    Let’s just call it the way it is. It’s been a very, very long time since Marilyn Manson recorded a really good, memorable release that any of us still listen to on a regular basis. To many, the would probably says that it’s been since MECHANICAL ANIMALS back in 1998. For me personally, I’ll be a bit more

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  • Black Star Riders - THE KILLER INSTINCT

    Image: Black Star Riders, The Killer Instinct, Review, Classic Rock, Pitriff Black Star Riders
    THE KILLER INSTINCT

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    When Black Star Riders made their decision to record under a new name instead of as Thin Lizzy, it was met with a lot of opinions. For most, I would assume they were happy that they decided to move away from the name they had been touring under. For many, I'm sure there was a lot of

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  • Lynch Mob - SUN RED SUN

    Image: Lynch Mob, Sun Red Sun, George Lynch, Classic Rock, Reviews Lynch Mob
    SUN RED SUN

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    On THE CLASSIC METAL SHOW, George Lynch is regularly a topic of conversation. Maybe that has to do with the fact that Neeley is a personal friend of Don Dokken and I work for Don on his website, but I like to believe that he becomes a topic because, first and foremost, we are big fans of the

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  • Karma To Burn - ARCH STANTON

    Image: Arch Stanton, Karma To Burn, Pitriff, Stoner Metal, Reviews Karma To Burn
    ARCH STANTON

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    There are those of us who know. We will forever be known as the "fortunate ones". There are those of you that have no idea. You will be known as the "unfortunate ones". What is it we know that you don't? We know the sheer greatness of Karma To Burn. For those that are unfortunate ones, let me

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  • U.D.O. - DECADENT

    Image: U.D.O. - DECADENT, Classic Metal, Reviews, Pitriff U.D.O.
    DECADENT

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    I'm sure I'm not in the minority here, but I'm glad that we now have a killer version of Accept with Mark Tornillo as well as the continuation of U.D.O. with Udo Dirkschneider. In short, it's led to both bands stepping up their game and creating great music. While neither side will admit competition with the other band, the fans certainly

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  • Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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judas priest, redeemer of souls, power metalJudas Priest
REDEEMER OF SOULS

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Judas Priest has a lot to atone for in the eyes of all fans except for Jim "Nostradamus" Bartek. Given the fact that Bartek's 524 day listening streak to NOSTRADAMUS probably doubled the count of the rest of the Priest fanbase combined, it's clear that the once Mighty Priest needed to do something very, very metal this time around or it might just be time to call it a day. Not only was NOSTRADAMUS a bomb, but it also marked the moment that the dynamic duo of Tipton and Downing split in half, as KK decided to take his skills to the golf course and leave the band behind. With that said, and given that Priest fans have gone 9 long years without a good Judas Priest release to listen to, there's a ton of expectation on REDEEMER OF SOULS.

Well, I will give them this. They did record a metal Judas Priest album. There's no question that many of these songs will sound great in the live setting. Sadly though, they are going to have to, because the production on REDEEMER OF SOULS is abysmal. Songs like "Halls Of Valhalla" could easily have become favorites from the band, but the production is just bad. The sound is just terribly thin, in parts sounding like demos. The guitar volume is all over the place in spots, and in others the sound just sounds very raw and far too unpolished for a typical Judas Priest release. Other songs, like "Sword Of Damocles" quite literally sound like a mess of noise in parts. On all levels - guitars, drums, bass (where is it) and even vocals, the production is shoddy at best, demo like at worst and throughout. Even compared to their releases from the 70s, this is worse. Simply, this is unacceptably bad for a band of Judas Priest's stature in 2014.

That's too bad too, because there are some truly solid songs here. The previously mentioned "Halls Of Valhalla" is probably the best of the bunch, but other songs like "March Of The Damned" rock as well. While it's somewhat strange to get an entire Priest release with almost no Halford screams and full of the singer in the lower register, he's still passable and still more than fulfills the "Metal God" persona. "Down In Flames" is a good song with a really terrible guitar mix on it. In fact, this is probably the worst sounding guitar ever on a Priest release. To be honest, this is a big problem throughout the release. When they tag team solo, guitarists Glenn Tipton and Richie Faulkner just sound off. I'm assuming that Faulkner is the 2nd guitarist in on the solos (at least on this song), and his guitar just sounds terribly raw. It's far too contrasting for the Tipton's parts, and it doesn't work. "Hell & Back" is another really good song that is plagued with crap production. It's the lone time on the disc where Ian Hill's bass really shows up, but it's so loud and mushy that it's distracting. As for drummer Scott Travis, he seems to have gotten screwed over the most on REDEEMER OF SOULS. Normally, Travis brings a huge, arena-like drum sound to the studio. Here, he's so muffled in the mix on most songs that you'd almost never know it's the same guy from previous releases.

PITRIFF RATING - 52/100 - To say the least, REDEEMER OF SOULS is a disappointment. While it has some good songs on it, the production is an absolute killer. Sounding more like demos than a studio ready Priest album, this one goes up on the shelf next to NOSTRADAMUS; filed under "rarely if ever listen to". What a bummer.

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