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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: Gamma Ray, Empire Of The Undead, Pitriff, CD Review, Power MetalGamma Ray


My affinity for Gamma Ray really predates the band itself, as it's much more of an appreciation for the vocal work of singer Kai Hansen. Be it with Gamma Ray or his legendary work with his previous band Helloween, Hansen has always been not only one of the most elite vocalists in power metal in my eyes, but one of it's greatest writers. Recent releases like TO THE METAL really missed the mark for me, which is pretty surprising as much as I'm a fan of just about everything Hansen has ever done. with EMPIRE OF THE UNDEAD, the band has righted itself somewhat, although this is far from classic Gamma Ray material that you would want, or even expect.

The best thing about EMPIRE OF THE UNDEAD is that it's a return to the heavier, thrashy sound that seemed to have evaporated on TO THE METAL. Songs like "Demonseed" have some of the crunchiest guitar work ever shown off by the band, with Kai Hansen and Henjo Richter just slamming through the song with a thick, piercing aggressiveness that just makes the song sound epic and huge. Vocally, Hansen is at the top of his game throughout. He leads the truly brilliant opener "Avalon" with a soaring vocal performance that's as good as anything he's done in the past. The two players are perfectly complemented by bassist Dirk Schlachter and drummer Michael Ehre. They work brilliantly a cohesive unit on "Master Of Confusion" and the speedy, best track on the release, "Seven". For the most part, this is the Gamma Ray of old that I have loved for a long, long time.

While there's a lot of good here, there's some really clunky moments on EMPIRE OF THE UNDEAD. Songs like "Pale Rider" are a prime example of it. This may sound stupid coming from a person like me who's well known for profanity, but this songs use of profanity just feels forced. It's also beneath the more cerebral lyrical approach that he's highlighted throughout his career. In short, it just feels like the hook was too short so he threw it in to fill the rhythmic lyrical gap. It doesn't work here. Another song that really grinds me is "Time For Deliverance". This song almost sounds like a compilation of other songs and bands that are out there. I'm not sure if it's showing influences or just blatantly nicking parts, but this one is almost annoying. The song opens with a Y&T-like guitar open, before going into an Iron Maiden meets Queen sound that's really quite distracting. Listening to it over and over, I spent more time trying to figure out just what Queen song it the orchestration feels like, before settling on a close similarity to "We Are The Champions". Sadly, this is not the first time Gamma Ray has done this, as the Maiden sound has crept into several songs over the last few albums.

PITRIFF RATING - 81/100 - When it's good, it's about as brilliant as this band gets. It's diluted with some less than stellar moments, but it's hard to imagine any fan of classic, traditional power metal wouldn't be happy with this release. EMPIRE OF THE UNDEAD is a solid power metal effort with some truly great moments.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


Buy Now:  Paperback    Digital

Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

Buy Now:  Paperback     Digital


Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

 Image: Keel, pitriff, heavy metal, news, reviews, interviews

Want Streets Of Rock N' Roll Radio On Your Phone - CLICK HERE To Download The New App


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