• Halestorm - INTO THE WILD LIFE

    Image: Halestorm, Into The Wild Life, Pitriff, heavy metal, reviews, interviews Halestorm
    INTO THE WILD LIFE

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    With the release of THE STRANGE CASE OF…, I fell in love with Lzzy Hale. So much so, in fact, that I jokingly got down on one knee and asked her to marry me at Rock On The Range two years ago (a proposal that she didn’t flat out turn down, so maybe there’s still hope!!). Let’s be

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  • Marilyn Manson - THE PALE EMPEROR

    Image: Marilyn Manson, The Pale Emperor, Pitriff, Modern Metal, Reviews Marilyn Manson
    THE PALE EMPEROR

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    Let’s just call it the way it is. It’s been a very, very long time since Marilyn Manson recorded a really good, memorable release that any of us still listen to on a regular basis. To many, the would probably says that it’s been since MECHANICAL ANIMALS back in 1998. For me personally, I’ll be a bit more

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  • Black Star Riders - THE KILLER INSTINCT

    Image: Black Star Riders, The Killer Instinct, Review, Classic Rock, Pitriff Black Star Riders
    THE KILLER INSTINCT

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    When Black Star Riders made their decision to record under a new name instead of as Thin Lizzy, it was met with a lot of opinions. For most, I would assume they were happy that they decided to move away from the name they had been touring under. For many, I'm sure there was a lot of

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  • Lynch Mob - SUN RED SUN

    Image: Lynch Mob, Sun Red Sun, George Lynch, Classic Rock, Reviews Lynch Mob
    SUN RED SUN

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    On THE CLASSIC METAL SHOW, George Lynch is regularly a topic of conversation. Maybe that has to do with the fact that Neeley is a personal friend of Don Dokken and I work for Don on his website, but I like to believe that he becomes a topic because, first and foremost, we are big fans of the

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  • Karma To Burn - ARCH STANTON

    Image: Arch Stanton, Karma To Burn, Pitriff, Stoner Metal, Reviews Karma To Burn
    ARCH STANTON

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    There are those of us who know. We will forever be known as the "fortunate ones". There are those of you that have no idea. You will be known as the "unfortunate ones". What is it we know that you don't? We know the sheer greatness of Karma To Burn. For those that are unfortunate ones, let me

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  • U.D.O. - DECADENT

    Image: U.D.O. - DECADENT, Classic Metal, Reviews, Pitriff U.D.O.
    DECADENT

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    I'm sure I'm not in the minority here, but I'm glad that we now have a killer version of Accept with Mark Tornillo as well as the continuation of U.D.O. with Udo Dirkschneider. In short, it's led to both bands stepping up their game and creating great music. While neither side will admit competition with the other band, the fans certainly

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  • Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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Image: Helloween, Straight Out Of Hell, Pitriff, Heavy Metal News, CD Reviews, InterviewsHelloween
STRAIGHT OUT OF HELL

When you history is as long as stoic as a band like Helloween's, people tend to come into each release with a series of expectations. They also tend to judge anything new they release by comparison to the rest of the catalog instead of as a standalone release. Certainly, that's justified. For me, I first remember discovering Helloween when I was stationed in Korea. They used to play their videos in a bar called the "MTV Club" in Itaewon, Korea. I watched for a year as videos for "I Want Out" and "Halloween" played over and over in this club. I remember buying KEEPER OF THE SEVEN KEYS: PART 1 in some bootleg shop in Seoul, and literally wearing that tape out in only a few months. From that point on, I've never missed a release of a disc by Helloween, and I've compared every release to KEYS 1. Some have been hit and some have been miss, but all have pretty much maintained the core sound of the band. Even changes in core members hasn't derailed Helloween...at least to my ears.

Now, we come to STRAIGHT OUT OF HELL. Really, there's not a whole lot to say about this release to be honest. In short, this is Helloween doing what Helloween does. STRAIGHT OUT OF HELL is a solid collection of power metal that's worth a listen or six, but ultimately seems destined to be one of the more unmemorable releases from the band. That's not to say it's horrible. It's really not. That said though, it's definitely a downgrade from the last two releases - 2010's 7 SINNERS and 2007's brilliant release GAMBLING WITH THE DEVIL. By comparison, these songs just sort of lay there. There's some cool stuff going on, but there's a little too much trying to sound like Helloween instead of simply "being" Helloween. On some of the songs, they try to hard to wedge a bit too much into the music. Take a song like "World Of War" as an example. This song is just way too busy. For one thing, the guitars of Sascha Gerstner and Michael Weikath are a mixture of classic power metal and modern D-tuning in some of the riffs. That does not work, at all. Some of the breakdowns leave the song sounding like what you would imagine Meshuggah would sound like taking a stab at power metal. That may work for some bands, but not a legacy band like Helloween. This problem surfaces over and over, which is surprising for Helloween. Songs like "Live Now" also feature new, lower tunings which are detrimental to the overall vibe of this release.

Another further distraction on STRAIGHT OUT OF HELL are the vocals of Andi Deris. While they are certainly clean and strong, they are just not as crisp and soaring as on previous releases. Further, there's a lot of echo and effects thrown in all over this album which is not, in my eyes, an enhancement by any stretch. Simply put, Deris is a brilliant vocalist who's voice doesn't need to be complicated by studio effects. When the effects are not overwhelming, his newly adopted passion for growling on almost every song is not overly welcomed either. Songs like "Far From The Stars" find him sounding like a cleaner vocal version of Jon Oliva than that of the once huge vocalist that has powered this band for more than half their career. Maybe it's just age setting in on Deris, but whatever the reason, STRAIGHT OUT OF HELL is simply not his best vocal performance in his history with the band.

PITRIFF RATING - 65/100 - As a huge fan of Helloween, I come into every release pumped up for greatness from one of my favorites. I didn't get that this time. STRAIGHT OUT OF HELL is not a bad release, but it's far less than expected from a band that has a standard with a bar raised sky high. Adequate listen, but not likely to find it's way to the player often.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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