It's been five years since Rush unleashed their SNAKES AND ARROWS release, and to be honest, it's been longer still since they put out a release that was truly great. Like most of their material outside of the 80s, SNAKES AND ARROWS was a little better than competent classic progressive hard rock. For the diehards, always being good but not great leaves them wondering when the next great release will emerge. For those that are just fans in passing (like this guy), the thought of a new release generates very little in the way of expectation.
REGRINDING THE AXES
What could be more useless in 2012 than a new Molly Hatchet studio album? Clearly the band knew. The correct answer is: a Molly Hatchet covers album. Look, I've got no real issues with Molly Hatchet. Every tractor pull and ribfest has to have their live band entertainment, and Foghat always needs a co-headliner. As far as recorded music though, I have to assume that Molly Hatchet recorded music stopped meaning anything to anyone around the time the replacement players started outnumbering the original members in the band. Still, they want to continue on, so God bless 'em.
Throughout my lifetime as a Clevelander, Michael Stanley has been a musical pillar in my life. As long as I’ve been listening to rock music, Michael Stanley has been one of those artists that’s been a fixture for me. I’ve easily seen him perform 30 times, including all 10 of the sold out shows at the Front Row Theatre and the infamous party in the parking lot outside of old Cleveland Stadium. When I got my first walkman in 1982, the first three tapes that came with it were Genesis – GENESIS, Pat Benatar – GET NERVOUS and Michael Stanley Band – MSB. In so many ways, Stanley has been a better version of Bruce Springsteen for me – a storyteller with stories that I could more directly relate to along the way. “Thank God for the man who puts the white lines on the highway”. Indeed.