• Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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CD Review - Night Ranger

Image: Night Ranger, 24 Strings and a Drummer, PitriffNight Ranger
24 STRINGS & A DRUMMER: LIVE AND ACOUSTIC

Night Ranger and Loverboy were two bands that were, pretty much in my eyes, linked together back in the 80s. There was something about the two of them. They weren't quite metal bands at the time, and there was something that was catchy about both but never led you to think they were anything more than cookie cutter hard rock bands. Night Ranger was my favorite of the two, because they weren't all whiny and wrote better songs than Loverboy. I'm sure many of the chicks that were 15 or so during that era would probably disagree with that assessment, but so bet it. It's interesting how at this phase of their careers, both have re-recorded their hits right now for releases to appease the old guard. For Loverboy, their re-recordings was an abortion of epic proportions that pretty much proved they should retire. While Night Ranger is probably a few decades too late to be releasing an UNPLUGGED effort, I'd be lying if I said this wasn't fairly catchy and fun.

To be clear here, there's not a note on 24 STRINGS & A DRUMMER that's going to have anyone forgetting DAWN PATROL, MIDNIGHT MADNESS or 7 WISHES. 24 STRINGS & A DRUMMER is an acoustic set played in front of a small cabaret sized audience that seems like it was just done for the fun of doing it. This comes screaming through. If nothing else, it's very clear that the guys are having fun here messing around with reworked, probably fresh in their head, versions of their biggest hits of their now long career. Listening to them work through songs like "Don't Tell Me You Love Me" or "Four In The Morning" is fun. For old folks like me, it's a nice walk down memory lane.

Still, there are flaws here that aren't easily overlooked. First and foremost, vocalist Kelly Keagy doesn't sound very good. While in my eyes he was always the better singer in Night Ranger, the years have weakened his voice considerably. There are so many times throughout this effort where he sounds gravelly and weak vocally. Songs like "Sister Christian" and "Sing Me Away" just don't pack the "oomph" they used to. Especially on "Sing Me Away", Keagy sounds like he's really straining to get the notes out. By contrast, counter vocalist Jack Blades sounds every bit as strong as he did 30 years ago.

To be fair here, I'm probably being a little bit uber-critical here; almost certainly because I'm a fan of the band. So many of their songs are perfect for this unplugged setting, and they do work them out well. Songs like "Let Him Run" and "Goodbye" were made for this environment, and they shine brightest in the set. Additionally, a newer song called "Forever All Over Again" comes out of this set as the most impactful of the entire set. Full of emotion and clearly a song that fits perfectly for the acoustic setting, I can imagine divorcees crying in the audience hearing these touching words wishing for a rekindling of a relationship that has failed.

PITRIFF RATING - 71/100 - Always dug Night Ranger, and will probably always. 24 STRINGS & A DRUMMER is not likely to get a lot of plays in my collection, but it's a nice piece to have for that odd moment when I want something familiar without the heavier guitars mixed in. Like it, don't love it. But still worth having.

Chris Akin

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