• Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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  • Evergrey - HYMNS FOR THE BROKEN

    Image: Evergrey, Hymns For The Broken, Review, Progressive Metal Evergrey
    HYMNS FOR THE BROKEN

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    In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have

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  • Ace Frehley - SPACE INVADER

    Image: Ace Frehley, Space Invader, Pitriff, Classic Metal, Reviews Ace Frehley
    SPACE INVADER

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    Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is

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  • Blackberry Smoke - LEAVE A SCAR

    Image: Blackberry Smoke, Leave A Scar, Pitriff, Review, Rock Blackberry Smoke
    LEAVE A SCAR - LIVE IN NORTH CAROLINA

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    Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and

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  • Skid Row - UNITED WORLD REBELLION, CHAPTER 2

    Image: Skid Row, United World Rebellion Chapter 2, Pitriff, Classic Metal, Review Skid Row
    UNITED WORLD REBELLION, CHAPTER 2

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    Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got

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  • Downset - ONE BLOOD

    Image: Downset, One Blood, Pitriff, Review Downset
    ONE BLOOD

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    As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE

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Eclipse - BLEED & SCREAM

Image: Eclipse, Blood And Scream, Pitriff, CD Review, Interviews, NewsEclipse
BLEED & SCREAM

While most bands mellow like wine with age Sweden's Eclipse have followed a different trajectory becoming heavier over the course of their thirteen year career. Bleed & Scream, the band's fourth release, showcases these stellar musicians at the apex of their creativity and aggression. Having slowly shed the melodic hard pop of their early days, this album is pure unadulterated metallic rock of the classiest variety.

Each song glimmers strongly with its own unique identity proving the Swedes have worked hard at evolving their craft rather than finding a "formula" and riding it out. Stand out tracks like "Bleed & Scream" "SOS" "Wake Me Up" & "A Bitter Taste" are as different from one another as they are from any other bands in the melodic metal scene. After a decade of writing, this skill deserves more applause than it gets.

The trademark high pitched vocals of Erik Mårtensson are powerful and harmonious without ever grating or sounding cliche. Mårtensson's penchant for hooks, harmonies and multi-instrumental writing are largely why the man has become the go-to producer and backing vocalist for the melodic metal elite such as Jeff Scott Soto (Journey, Yngwie Malmsteen, W.E.T.) and Mat Sinner (Primal Fear, Sinner). This collection of songs features Erik handling four string duties quite convincingly as well as penning his darkest most epic lyrics to date.

As expected the guitar mastery of Magnus Henriksson is on full display. Magnus is one of the most underrated six string virtuosos in the business. His impeccable right hand keeps the rhythms chugging at light speed while the chord choices and phrasing are constantly pushing the boundaries without treading the same tepid waters as many shred-by-numbers metal guitarists. When it comes to guitar solos Magnus has a knack for the tasteful, tearing off subtle neoclassical flourishes and soulful melodic bends with equal aplomb.

Perhaps the most notable advance between 2008's Are You Ready To Rock and this new platter is the prominence of drummer Robban Bäck and his increased role in the mix and tempo of the music. With a crisp, modern metal production that pushes Bäck's percussion to the front of the mix, the songs become more dangerous and immediate. Increased amounts of double kick overdrive and outstanding ride cymbal technique showcase the drums more than previous releases giving the album a power metal pulse that was only hinted at in years past.

Rounding out the production are the layers of lush synth provided by keyboardist Johan Berlin which add both a timeless vintage quality as well as a progressive edge not felt on earlier recordings. As the title implies, Bleed & Scream is not an album for the laid back AOR set to relax to while they read the Sunday paper. This beastly Mach IV version of Eclipse is unapologetically pissed off metal to blast loudly, pedal to floor as you race your car to the edge of a cliff.

PITRIFF RATING - 100/100 - The only thing preventing their past two LPs from perfection was alum art that didn't match the quality and style of their music. This time they got it right and the high quality digipak is worth the "add to cart" wait. While Eclipse have cultivated a fresh sound that is 100% unique and identifiable, the nods to the past include: the ferocity of Bark-era Ozzy, the musicality of Odyssey-era Malmsteen and the songcraft of 1987-era Whitesnake wrapped up in an exciting cutting edge package all three bands wish they still possessed. Yeah...it's that good.

Jason Myers

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