• Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Molly Hatchet - REGRINDING THE AXES

Image: Molly Hatchet, Regrinding The Axes, heavy metal, pitriff, hard rock, news, interviews, reviewsMolly Hatchet
REGRINDING THE AXES

What could be more useless in 2012 than a new Molly Hatchet studio album?  Clearly the band knew.  The correct answer is: a Molly Hatchet covers album.  Look, I've got no real issues with Molly Hatchet.  Every tractor pull and ribfest has to have their live band entertainment, and Foghat always needs a co-headliner.  As far as recorded music though, I have to assume that Molly Hatchet recorded music stopped meaning anything to anyone around the time the replacement players started outnumbering the original members in the band.  Still, they want to continue on, so God bless 'em.

 

REGRINDING THE AXES couldn't have been more useless a release if Tesla recorded it and called it REAL TO REEL 3.  Here's a word of advice to all the bands out there from a simple nobody that's a music fan.  The overwhelming majority of us DO NOT CARE who your influences were.  Your influences are meant to be a one line thing we read in an interview...not a $15 bill we have to pay if we are catalog collectors.  Another thing - cover songs are meant to be a single song tagged on the end of a great album.  I don't care if you are a fan of Megadeth, Motley Crue or Molly Hatchet - it's a fact that 99.99% of the time fans hate covers albums and feel ripped off by their favorite bands when they put them out.

Now that you know where I'm coming from here, on to the review.  "Freebird" cover - well, no shock that Molly Hatchet would be a. influenced, and b. covering a Lynyrd Skynyrd tune, is there?  Decent cover, although it's almost a note for note replication of the original and, therefore, fairly useless to me.  Hatchet's cover of George Thorogood and the Destroyers' "Bad To The Bone" is embarrassing.  Hearing lead vocalist Phil McCormack struggle with the stuttering "B-B-B-B-Bad" parts is laughable; distracting enough to make me think that they should have scrapped the entire song.  The problem with this whole release is that all the songs are so stereotypical of what you would expect from this that there's nothing fresh or interesting about it.  Rolling Stones, ZZ Top, Allman Brothers, Thin Lizzy - all are what every band of this ilk was influenced by.  Yet, all the songs they chose to cover were the most recognizable from each band, so there's no coolness factor there as well.  Even further down the suck trail, every song feels almost note for note like the original.  It's clear the band had NO intention of putting their own spin on this at all.

PITRIFF RATING - 8/100 - Unless I'm mistaken, there's not a single member of this band that's been there for every show and every album.  It's hard to take them as anything but a cover band when there's no member that knows the entire history of the band.  This is what a cover band does - they play cover songs.  If four friends and I got together and recorded these songs, we'd have almost as much right to call ourselves Molly Hatchet.  Interestingly, there's probably be as much interest in that release as there will be in this one.  Molly Hatchet is no longer flirting with disaster.  They are married to it.  Terrible.

Chris Akin

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