• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    MP3

    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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Molly Hatchet - REGRINDING THE AXES

Image: Molly Hatchet, Regrinding The Axes, heavy metal, pitriff, hard rock, news, interviews, reviewsMolly Hatchet
REGRINDING THE AXES

What could be more useless in 2012 than a new Molly Hatchet studio album?  Clearly the band knew.  The correct answer is: a Molly Hatchet covers album.  Look, I've got no real issues with Molly Hatchet.  Every tractor pull and ribfest has to have their live band entertainment, and Foghat always needs a co-headliner.  As far as recorded music though, I have to assume that Molly Hatchet recorded music stopped meaning anything to anyone around the time the replacement players started outnumbering the original members in the band.  Still, they want to continue on, so God bless 'em.

 

REGRINDING THE AXES couldn't have been more useless a release if Tesla recorded it and called it REAL TO REEL 3.  Here's a word of advice to all the bands out there from a simple nobody that's a music fan.  The overwhelming majority of us DO NOT CARE who your influences were.  Your influences are meant to be a one line thing we read in an interview...not a $15 bill we have to pay if we are catalog collectors.  Another thing - cover songs are meant to be a single song tagged on the end of a great album.  I don't care if you are a fan of Megadeth, Motley Crue or Molly Hatchet - it's a fact that 99.99% of the time fans hate covers albums and feel ripped off by their favorite bands when they put them out.

Now that you know where I'm coming from here, on to the review.  "Freebird" cover - well, no shock that Molly Hatchet would be a. influenced, and b. covering a Lynyrd Skynyrd tune, is there?  Decent cover, although it's almost a note for note replication of the original and, therefore, fairly useless to me.  Hatchet's cover of George Thorogood and the Destroyers' "Bad To The Bone" is embarrassing.  Hearing lead vocalist Phil McCormack struggle with the stuttering "B-B-B-B-Bad" parts is laughable; distracting enough to make me think that they should have scrapped the entire song.  The problem with this whole release is that all the songs are so stereotypical of what you would expect from this that there's nothing fresh or interesting about it.  Rolling Stones, ZZ Top, Allman Brothers, Thin Lizzy - all are what every band of this ilk was influenced by.  Yet, all the songs they chose to cover were the most recognizable from each band, so there's no coolness factor there as well.  Even further down the suck trail, every song feels almost note for note like the original.  It's clear the band had NO intention of putting their own spin on this at all.

PITRIFF RATING - 8/100 - Unless I'm mistaken, there's not a single member of this band that's been there for every show and every album.  It's hard to take them as anything but a cover band when there's no member that knows the entire history of the band.  This is what a cover band does - they play cover songs.  If four friends and I got together and recorded these songs, we'd have almost as much right to call ourselves Molly Hatchet.  Interestingly, there's probably be as much interest in that release as there will be in this one.  Molly Hatchet is no longer flirting with disaster.  They are married to it.  Terrible.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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