TIME TRAVELERS & BONFIRES
Sevendust are really a band for the fans, and the fans are definitely always there for the band. Case in point - their latest release TIME TRAVELERS & BONFIRES. This release is one paid for by the latest trend hitting the music business, pre-funding by the fans to pay for a project. The band asked for a lot for this campaign, and got 245% funding from their fans in return. So what did Sevendust do with that money? Well, they created a very cool release that, while different from anything they've ever done studio-wise, is about as good as anything they've created to date. An acoustic release featuring fix new tracks and acoustic reworkings of some of their most popular material, TIME TRAVELERS & BONFIRES connects on every level with the established fanbase. For a band that gets so much from their fans, that's just what you would expect.
ARE YOU KIDDING ME? NO.
I am 100% a fan of music, and specifically metal, that goes into some very weird and crazy places. Mike Patton rates at the top of my musical food chain with all the weirdness that he consistently has brought to his various projects. While I love a lot of mainstream stuff, there's always a soft spot in my musical taste that's long been filled with bands like Mr. Bungle, Dog Fashion Disco and the like. Enter Destrage - a band that I had never heard of until the day a publicist hit me up and informed me that i should give this one a try as it's "kind of bizarre". Well, he definitely nailed that. A combination of everything from Protest The Hero, Lamb Of God and Primus, Destrage's ARE YOU KIDDING ME? NO. is a very interesting and fun listen.
MEN OF HONOR
Being completely honest, the debut Adrenaline Mob release OMERTA didn't do a lot for me. This is surprising actually, as vocalist Russell Allen is one of those guys that I always look forward to hearing from, regardless of the project he's doing at the time. Still, OMERTA was one of those supergroup releases that just didn't have a lot of "get up" to it. It was there, a pretty bland collection of hard rock, sometimes modern metal songs that just kind of went nowhere. The band is back, sans Mike Portnoy who has once again band hopped to a new project. MEN OF HONOR is, most certainly, better than OMERTA is just about every way imaginable. It's still pretty standard faire, but it is a more compelling listen than their previous effort.
Since I first discovered Ektomorf back in 2004 on their DESTROY release, they have been one that, while I never sat around waiting for a release, I've always loved when they had something new out there. As heavy music goes, they are the perfect combination of what I like. They are kind of like the lovechild of Sepultura, Soulfly and Machine Head; all wrapped up into one menacing, brutal package. A couple years ago, they surprised a lot of people with THE ACOUSTIC (which is an acoustic release) and BLACK FLAG. It was surprising because both were pretty weak releases from Ektomorf. Happily, they are back and more pissed off than ever. RETRIBUTION is a very defiant callback to this band's better days.
SALVATION OF INNOCENTS
I know that I have a pretty distinct label on me of what most people think I like to listen to. I believe that most people think that I'm a classic metal fan whose musical taste basically goes from 80s hair metal bands to Bay Area Thrash. I can't lie - I do love that style a ton...probably the most of anything I do listen to. When it comes to heavy music though, I think many would be very surprised that a close second for me is '90s/'00s era hardcore. Simply put, I'll take albums by the Spudmonsters, Agnostic Front or Hatebreed over anything that the likes of Korn or Disturbed ever delivered. One of my favorites has always been Earth Crisis. With the core of the band intact, Earth Crisis came back from the dead five years ago and have been putting out some of the best material of their career. SALVATION OF INNOCENTS continues this trend.