• Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    MP3

    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Godsmack - 1000HP

Image: Godsmack, 1000hp, review, pitriff, modern metalGodsmack
1000HP

CD
MP3

I must be getting old, because recently, I've noticed my attitude softening toward the dreaded "nu-metal" bands of fifteen years ago. Maybe it's just nostalgia for what I now perceive (incorrectly, I'm sure) as a simpler time, but the burnout and disinterest I felt circa 2002, the year I quit seriously listening to mainstream rock radio has mellowed of late. Don't get me wrong, I still won't go out of my way to listen to Creed (for just one example), but maybe I'm not going to dive through a glass door to get to the tuner to change the station before Scott Stapp's droning vocals start.

All this brings us to Godsmack's latest album, 1000hp. I thought Godsmack were just about the best of the best of the new breed back in '98, when their self-titled debut was released. I can still remember walking around campus my freshman year of college, inwardly chanting the chorus of "Whatever." The song just came out at the perfect time in my life. And even though I got bored with Godsmack after their second album, partly because there was just so much music out there to explore in the post-Napster universe, I still respected them. It seemed to me like they, and a few others, actually understood what metal is supposed to FEEL like. A lot of bands can drop-tune and sound angry or moody, but they forget about that sense of power that's supposed to be there.

So here they are again, Sully and the gang returned after four years and nearly breaking up over hurt feelings about side-projects. And although song titles like "FML" (I guessed "Fuck My Life" even before I'd heard the song), "Something Different," and "What's Next," would indicate a deep yearning for change and a dissatisfaction with the predictable, Godsmack play it straight down the middle. There's nothing as aggressive or raging as the first two albums, but if you've heard Faceless, IV, or The Oracle, you know what to expect. Chunky, heavy riffs, midtempo grooves, and angsty psychobabble lyrics. It's a poor man's mix of Black Album-era Metallica and early Alice In Chains, Sully's Hetfield-isms leading the way. And yet he seems to be singing more and growling less with each successive release. The more energetic songs like "What's Next," "Locked & Loaded" and the title track (complete with the overused motorcycle sound effect) remind me why I still like this band.

But there's no denying the music sounds pretty samey after not very long. That's one of the problems with drop-tuning. Whether you drop your top string to D, C or B, you're pretty much stuck playing in that key—there's not that much you can do with the guitar until you tune it back up. This has always been a problem with Godsmack. The unwavering approach extends to the lyrics as well. "Don't cry or sympathy," Sully sings on "Locked & Loaded," "All your whining, it fuckin' tires me." Interesting words from a guy who's never shied away from trite, talk show-style self-examination.

PITRIFF RATING - 71/100 - It's Godsmack. You know what you're getting. 1000hp might overestimate its engine specs by about half, but fans of the band have no reason in the world to be disappointed. Having said that, if you've moved on at all on your own personal musical odyssey, no one could blame you for not being bowled over. There's a definite sense of having heard it all before. I prefer the Godsmack of the first two albums, back when, if they did a ballad, it was the creepiness of "Voodoo," and not this album's "Something Different." Godsmack do what they do, and do it well, so to give them a lower rating would be unfair. And in their own active-rock world, I'd take 'em in a heartbeat over Three Days Grace or Papa Roach.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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