WAITING FOR THE END TO COME
For a lot of people, the second they hear that a band is "death metal", they will exit the conversation. Their loss, I guess. Kataklysm are definitely a death metal-like band I guess, but in many ways the continue to remind me of their slightly less heavy former enemies Devildriver. To be certain, there's nothing here at all resembling anything but the most heavy of music that has ever been created, but there's always that slight bit of melody in the music that has long separated Kataklysm from the myriads of Cookie Monster sounding gurglers that clog the "death metal" world today with what is, basically, average music that plays more to it's genre's stereotype than it does to anything creative. While not the best release Kataklysm has ever done, WAITING FOR THE END TO COME continues the tradition the band has established and ran with for two decades.
THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART
It's been years and years at this point, and it's astounding to me that there's so many people that still talk about the former vocalist of this band each and every time they put out a new release. It's so silly at this point. I'm the first one to agree that releases like ARISE and CHAOS AD are some of the best that have ever been recorded. For so many though that have just written off Sepultura as "dead without Max", you've missed out on a lot of truly great metal. Two of the very best albums released under the Sepultura name (A-LEX and DANTE XXI) have come fairly recently and were fronted by vocalist Derrick Green. Going back to Ross Robinson to produce it and with more fire than they have had in 15 years, THE MEDIATOR BETWEEN HEAD AND HANDS MUST BE THE HEART is the most blistering release Sepultura has put forth since SCHIZOPHRENIA, MORBID VISIONS or the aforementioned ARISE. This is some seriously punishing metal, folks.
There's just something about Soulfly that works for me from release to release. Not only do the releases come fast and furious, but they always have enough in them to keep me interested until the next effort comes out. They have changes from release to release. Sometimes they are subtle, and sometimes they are far more pronounced. With SAVAGES, it's no exception. Almost completely non-existent are the tribal blasts that generally are prominent in their music. Additionally, the songs are longer; a LOT longer. Without question, SAVAGES is one of the most direct and yet epic release of the band's 9 total releases. It might also be the best. SAVAGES is super heavy, very powerful, and pure Cavalera. It really doesn't get better than this from Max and company.
So, what were you really expecting? Did you think that just because vocalist Dez Fafara spent the Winter and Spring touring around with Coal Chamber that the next Devildriver release would be softer and more full of nu-metal elements? It's amazing to me how many times prior to this release making it's rounds that I read just that online. Fans really can be stupid sometimes. For those that need a revisionary lesson in history, Fafara formed Devildriver to be as brutal as possible and as "anti-Coal Chamber" as anything he could make. The odds are that Devildriver will never even resemble Coals Chamber, nu-metal, or anything with the word "soft" in it for as long as they are a band. WINTER KILLS is a seriously intense effort from the band I feel is the best extreme metal band of the last decade. Start to finish, WINTER KILLS does just that - kills.
There's just something about Philip Anselmo that most metal fans don't get. In fact, I would go as far as to argue that even most of those hardcore Pantera fans don't fully understand the motives and direction that Anselmo takes half the time. More than just about any other musician in metal history, Anselmo is the single guy that has taken a lot of varied metal styles to the masses. Through his notoriety as a legend with Pantera, Anselmo has been able to introduce much more extreme types of metal to the majority of metalheads that would probably have never listened otherwise. Speaking only for myself, my first exposure to such varied music as Anal Cunt, Necrophagia, Christ Inversion, Arson Anthem and Superjoint Ritual all came SOLELY because of Anselmo's involvement with those projects. It has NOTHING to do with any music at all that I heard prior to picking up those releases. To be honest, I haven't liked all of it, but I don't think that's really what it's about for Anselmo anyway. To his credit, he lives and dies metal...all kinds of metal...and he is out to create as much of it as humanly possible.