HEAVY METAL MUSIC
This review is being written at the request of a longtime Pitriff reader, who hit me up this week and reminded me that I had not yet reviewed this release from former Metallica bassist Jason Newsted. Being honest, I'm not sure how that happened exactly. Since he came out with his 4 song EP METAL, and right through to today, the new solo music from the project called Newsted has not been away from my iPod for more than a day or two. It doesn't feature anything overly special or anything. Jason Newsted is not the best vocalist in the world. The music isn't the best or more cutting edge heavy metal ever created. In essence, it's a fairly average offering with one mighty exception - attitude. That undying, undeniable metal attitude literally forces HEAVY METAL MUSIC to be loved in the ears of most metalheads. A release full of piss and vinegar without a shred of apology for any of it, HEAVY METAL MUSIC is one of the most enjoyable metal albums of 2013.
FROM BEER TO ETERNITY
Ministry has been retired before, but this time might really be it. With the death of guitarist and collaborator Mike Scaccia just three days after the initial sessions for FROM BEER TO ETERNITY were completed, this might just be the final statement that Al Jourgensen wants to make to the world under the moniker of "Ministry". If so, he goes out in very strong fashion. While certainly not the best Ministry album, FROM BEER TO ETERNITY is an angry effort that is every bit as reminiscent as anything Jourgensen and company have done.
Black Label Society
It's no secret that I'm a very big fan of Zakk Wylde. I've gotten to know him over the years, and more to the point, I've truly apprecated the music the guy creates. For many, they just love hearing him play guitar. I can see that. For me though, my go to moments are not the heavier albums like STONGER THAN DEATH or ORDER OF THE BLACK, but the stuff that strays from the heavy where Zakk just lets loose as a classic rocker. My favorite thing Wylde has done is his solo release BOOK OF SHADOWS, followed closely by BLS efforts HANGOVER MUSIC VOL. VI and THE SONG REMAINS NOT THE SAME. "Darkest Days" from THE SONG REMAINS NOT THE SAME is, by far, my favorite song he's ever done, based solely on the raw emotion he puts forth singing it acoustically. Wylde has returned with a very interesting live show called UNBLACKENED; a sort of acoustic show where he and Black Label Society rework a lot of songs from his entire career for a one night only performance. It's pretty good stuff.
JAMMIN' WITH FRIENDS
Have you ever watched some really b-level porn? Nevermind...y'all have and won't admit to it. When watching that porn, have you ever seen some of that more brutal "throat rape", where a dude literally chokes a woman to the point of passing out with an aggressive thrusting designed to blow out the back of her skull JFK style? Did you ever wonder what the chick was thinking at that exact moment? You have to image she was thinking, "man, this seemed like it would be a great idea before we started, but now I'm realizing just how awful this is and how detrimental this could be to the rest of my life." Listening to Bret Michaels' JAMMIN' WITH FRIENDS is pretty much the same. While it may have seemed like a good idea at the time, the result is just another horrific example of the fact that Michaels is barely a musician anymore; more interested in a name-dropping fest than actually putting any sort of effort into providing a quality product to the sheep that still buy his garbage.
SHOW NO MERCY
If BACK TO THE FUTURE was a real concept that could actually happen, it's my belief that Mad Margritt would be a name that every single one of you that owns Skid Row, Slaughter and Dokken records would hold in the highest esteem. You would see them still touring around playing package shows together with other bands that had their run "back in the day", and you would hear interviews with Eddie Smith about his upcoming book that details all the debauchery of being a superstar back in the heyday. Unfortunately though, BACK TO THE FUTURE is fake, which leaves Smith and company recording music they love and that, while solid, is hard to get people to listen to because their door on new music slammed shut the day Kurt Cobain reached #1 on Billboard. It's too bad that so many in that 40-50 age range are like that too, because they are missing out on a ton of music that falls right in their wheelhouse. SHOW NO MERCY is one of those they are missing.