Red Dragon Cartel
RED DRAGON CARTEL
Jake E. Lee - where have you been for the past two decades? Calling it the way it is, Jake E. Lee was one of the most recognizable sounds in hard rock/heavy metal for about five or six years. His work with Ozzy Osbourne on BARK AT THE MOON and THE ULTIMATE SIN were signatures to the Prince Of Darkness' biggest commercial success. He then moved onto Badlands, which is one of those bands that never got huge even though most now agree that it was one of the very best and most timeless bands of the late 80s and early 90s. In both cases, it was Jake's HUGE sound that propelled these projects. After that though, he was gone. Sure, there was the occasional sighting, like his solo A FINE PINK MIST release and then a somewhat surprise appearance on Enuff Z'nuff's DISSONANCE release, but ultimately the question of "where is Jake E. Lee" became one of folklore in the hard rock and heavy metal community.
RAISING MY OWN HELL
I can't tell you the number of strange looks I've received over the years when I claim two of my top five hair bands of all time to be Love/Hate and Little Angels. The overwhelming look of confusion is only equaled by the number of people that simple say, "who the fuck is that?" Little Angels was, without question, the single most underappreciated band of the hair band era. In a time that saw Def Leppard become one of the biggest bands ever, it simply should have been Little Angels. They were better musicians. They wrote much stronger songs than Leppard did with HYSTERIA on forward. They didn't sell out to make it. Most importantly, their singer Toby Jepson was just flat out better. I've always felt that "Don't Pray For Me" and "Broken Wings Of An Angel" are two of the very best ballads ever recorded in an era where careers were cemented based on a solid ballad (Motley Crue, Poison, Mr. Big, Warrant, Skid Row all found their groove based on huge ballads). It's been a lot of years since then, and big success always eluded Jepson and Little Angels, but RAISING MY OWN HELL proves that nothing has been lost with this vocalist.
I'd be lying if I didn't say that I have a bias toward supporting anything that says "Love/Hate" on the cover of it. Without any question, Love/Hate was my favorite band of the entire 80s "hair metal" era. Not Motley Crue. Not Warrant. Not Winger. Not Cinderella. Not those poseur bitches in Poison. Love/Hate was the band for me, and the reasons were very obvious. Of all the hair farmer bands, Love/Hate was the band that sang about things that were closer to where I was at the time. While the other bands were focused on sex and the party, Love/Hate was a lot more street level and focused a lot more on the boozing and pot early on...which is where I was at. "Fuel To Run", "One More Round", "Wasted In America" - all these songs hit home for me in the early '90s when they came out. Interestingly though, as the project became much more of a Jizzy Pearl thing than the original lineup, the music has matured and has stayed in sync with how I've grown as a person. His solo albums have produced songs like "Hit And Miss' that are relatable to me, as are other songs like "Do You Believe In Miracles" from LET'S RUMBLE as the career has progressed. Back with an EP called CRUCIFIED, Pearl and the formerly named Love/Hate has stayed in step with my musical taste.
Michael Schenker's Temple Of Rock
BRIDGE THE GAP
Michael Schenker is one of those guys where you either are 1000% in,or you really don't care at all about what he's doing. To me personally, I've just never understood the incredible amount of hype surrounding him. I get that he made a huge mark on the rock world with UFO and a somewhat less statement with Scorpions, but in the end, I can listen to either of those bands or anything since and really not hear anything earth shattering on guitar. Eddie Van Halen he's not. Still, there are tons of people that worship him, so good for him for finding such a strong allegiance.
Some bands just don't get the love they deserve from metal fans around the world. One of those bands is Benedictum. In a large way, I put them in the same bucket as an artist like Jorn Lande. Musically, they are continually stronger than most of the trendy dreck that's out there, but they are constantly overlooked for reasons that are just not fair to them. With Lande, he's got the stigma of sounding like Dio (which, to be fair to the metal fans out there he helped to perpetuate) which has led people to not take him as seriously as an individual artist as his music demands. With Benedictum, I'm quick to believe that the imagery of the beautiful and voluptuous Veronica Freeman does more harm than good, as the dumb metal stereotype of "chicks don't rock" will cause some to not give Benedictum a fair shake. For those metalheads, I can only say, "your loss, dumbass". As a band that simply gets better with each and every effort, Benedictum has created their best release yet with OBEY. Full of speed, heaviness and frenetic energy that is far above their previous releases, OBEY has high jumped the bar the band previously set with DOMINION, and cleared it by a mile.