ALL YOU CAN EAT
They certainly are the joke that just keeps on being retold and being funny, now aren't they? I'm sure there's a lot less people that remember them as Metal Shop, Metal Skool or even way back to the Danger Kitty days, but a whole lot more people have discovered this band since they adopted the name Steel Panther. Having now honed their mock 80s craft as well as their lyrics about fucking stupid chicks, Steel Panther have returned with their most developed, best musical and yet still ridiculously silly lyrical experience to date. In the same fashion they have always chosen, ALL YOU CAN EAT goes to the most outlandish places to talk about getting pussy as it was experienced in the 80s "rock star" scene. Once again, it just works for these guys.
GIVE 'EM HELL
It seems like every time Sebastian Bach releases new music, the first thought that comes to my mind is "this dude comes off like a douchebag ALOT in interviews, but he just kicks ass musically." Amazing how that comes back around. Baz is back, and he's been saying some interesting things in recent interviews. Yet, just ignoring that silliness and digging into his latest, GIVE 'EM HELL, he hits the proverbial musical home run. Easily the best release of his solo career and only topped in my eyes by SLAVE TO THE GRIND from his era of Skid Row, GIVE 'EM HELL is a blistering yet surprisingly melodic hard rock/heavy metal release. Not that I'm surprised since I pretty much loved ANGEL DOWN and KICKING AND SCREAMING, but this is still about five steps beyond those releases. Fans of Bach are sure to be VERY well entertained.
Adrian Vandenberg and Jake E. Lee have seemingly the same career path. Both were great in super huge bands (Vandenberg in Whitesnake, Lee in Ozzy), recorded even better material when they broke away (Lee with Badlands, Vandenberg with Manic Eden), and then both walked away and just left music behind for awhile. Now, both are back. Lee's Red Dragon Cartel is pretty solid, but it doesn't hold a candle to the new release from Vandenberg's MoonKings. Sort of a hybrid between 80s metal and 70s blues rock (think Zeppelin or even some Rolling Stones), this release comes as quite a surprise to people that are thinking they would find another big Whitesnake sounding album has been brewing with Vandenberg as he sat in seclusion for almost 20 years. In short, this release is probably not for the younger generation at all, but that takes nothing away from it. For those of us with a more classic rock slant to our musical taste, this is about as good as it gets.
There's something very unique about Ron Keel that I think has escaped most of his peers that were spawn from the 80s hair metal scene. For most, they have been content to stick to the formula that made them famous, only take an experimental shot once the mainstream popularity had run it's course, and then returned to their classic form to ride out their career. With Ron Keel, it's been a very different experiment which he has crafted into a career. As an artist, Keel is one of neverending experimentation. He's had hair metal albums, acoustic releases, country metal releases, and now more of a southern rock/metal record. METAL COWBOY seems to have a lot of people remembering Keel's project Iron Horse, but I'd say that is highly inaccurate. The "Metal Cowboy" is proving once again that he's more of a Metal Chameleon. Hard at times, bluesy in other parts and full of twists and turns, METAL COWBOY could very well be the best release Keel's had his name on since THE RIGHT TO ROCK.
House Of Lords
As melodic hard rock goes, James Christian has not only kept the band House Of Lords alive, but he's kept it relevant and smart throughout their career. While he was not the original voice of the band, he's been "the guy" on every release and has proven always seems to have some good ideas to keep the band driving creatively forward. Ultimately, over the course of their 9 studio releases, there's only been one that was a total dude (THE POWER AND THE MYTH). In fairness, that one could even be attributed to ring rust after 12 years away from the project. While unflashy, the last four releases have been very solid from start to finish. Returning with PRECIOUS METAL, Christian and his House Of Lords once again hit the consistency mark. They also rock just a little bit harder than you might expect for this release.