RONNIE JAMES DIO: THIS IS YOUR LIFE
As much as I want to take this at face value, it's hard to not at least wonder just how many times Wendy Dio is going to visit the Dio well and mine more material culled from his past work. There's already been multiple live releases, deluxe reissues, an officially sanctioned band playing the music of Dio...and now second tribute collection of music from people other than Dio performing his work (the first being Jorn Lande's DIO release). I'm almost expecting a release of special rare interviews or voice mails to come at this point. Still, it's their business what they put out, and ours to merely judge it. So that said, we now have RONNIE JAMES DIO: THIS IS YOUR LIFE. While it has some real heavyweights performing on it, it's pretty much like every other tribute album you'll get. It's a hodge podge of covers. Some are good. Some aren't. Big surprise, right?
It's not very often that a band that has zero backing behind it sweeps in and just monopolizes my listening time. Generally, bands like Red Reign get 30 seconds as I quickly scan through their music and I'm on to something else that I'm getting pressured to review by a publicist. For Red Reign, I was asked to review this as a favor for my Classic Metal Show co-host Neeley, which quite honestly is the only reason this one ever hit my player in the first place. Good call on his part though, as it's been the only disc in my player for days now. CHASING SHADOWS is a hard rocker full of nasty guitar driven metal that falls somewhere between the heavier Van Halen songs and a bunch of the better modern metal stuff out there today. Red Reign has quickly become a band that I need to know more about.
ALL YOU CAN EAT
They certainly are the joke that just keeps on being retold and being funny, now aren't they? I'm sure there's a lot less people that remember them as Metal Shop, Metal Skool or even way back to the Danger Kitty days, but a whole lot more people have discovered this band since they adopted the name Steel Panther. Having now honed their mock 80s craft as well as their lyrics about fucking stupid chicks, Steel Panther have returned with their most developed, best musical and yet still ridiculously silly lyrical experience to date. In the same fashion they have always chosen, ALL YOU CAN EAT goes to the most outlandish places to talk about getting pussy as it was experienced in the 80s "rock star" scene. Once again, it just works for these guys.
GIVE 'EM HELL
It seems like every time Sebastian Bach releases new music, the first thought that comes to my mind is "this dude comes off like a douchebag ALOT in interviews, but he just kicks ass musically." Amazing how that comes back around. Baz is back, and he's been saying some interesting things in recent interviews. Yet, just ignoring that silliness and digging into his latest, GIVE 'EM HELL, he hits the proverbial musical home run. Easily the best release of his solo career and only topped in my eyes by SLAVE TO THE GRIND from his era of Skid Row, GIVE 'EM HELL is a blistering yet surprisingly melodic hard rock/heavy metal release. Not that I'm surprised since I pretty much loved ANGEL DOWN and KICKING AND SCREAMING, but this is still about five steps beyond those releases. Fans of Bach are sure to be VERY well entertained.
Adrian Vandenberg and Jake E. Lee have seemingly the same career path. Both were great in super huge bands (Vandenberg in Whitesnake, Lee in Ozzy), recorded even better material when they broke away (Lee with Badlands, Vandenberg with Manic Eden), and then both walked away and just left music behind for awhile. Now, both are back. Lee's Red Dragon Cartel is pretty solid, but it doesn't hold a candle to the new release from Vandenberg's MoonKings. Sort of a hybrid between 80s metal and 70s blues rock (think Zeppelin or even some Rolling Stones), this release comes as quite a surprise to people that are thinking they would find another big Whitesnake sounding album has been brewing with Vandenberg as he sat in seclusion for almost 20 years. In short, this release is probably not for the younger generation at all, but that takes nothing away from it. For those of us with a more classic rock slant to our musical taste, this is about as good as it gets.