• Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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The Treatment - RUNNING WITH THE DOGS

Image: The Treatment, Running With The Dogs, Pitriff, Classic Metal, ReviewThe Treatment
RUNNING WITH THE DOGS

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Admit it: you've just about given up on England when it comes to producing quality rock 'n' roll. The land that brought us the Beatles, the Stones, Zeppelin, and of course the revered NWOBHM--in the past twenty-five years, what have they given us? The Wildhearts? Come on. The Darkness? Come the fuck on!

The Treatment are a five-piece band that hail from that benighted former bastion of rock supremacy. Their 2011 independent debut, This Might Hurt, caused enough of a buzz to earn them a support slot for Van Halen's European tour (while we Yankee pigs were stuck with Kool and the Gang). Now comes the band's second album, Running With The Dogs.

It's so easy to compare a band to AC/DC that it's become a cliche, but The Treatment do bear some resemblance to Angus and Co. Sort of. More accurately, they remind me of Airbourne, in the guitar tone and riffing style of Ben Brookland and Tagore Grey, and their overall energy and enthusiasm. But while Airbourne's singer Joel O'Keefe favors a Sam Kinison-like yell, the Treatment's Matt Jones offers highly melodic, harmonized vocals. He comes across as a mixture of Kelly Holland, the first singer from '90's classicists Cry of Love, and Robert Mason, currently of Warrant (and who was Cry of Love's second singer). It's this attention to tunefulness that sets Running With The Dogs apart from the sea of AC/DC clones, and even, to a degree, from the band's own debut. In the end, the combination reminds me of another classic-rock-obsessed British band: Thunder.

These last few years, as I've listened to one "savior of rock 'n' roll" after another, I've sometimes wondered, "where have all the hooks gone?" So many young bands strive for a retro-hard-rock sound. They tune the guitars up to E, put on some leather (and maybe some of their mom's makeup), and write some songs about chicks and partying--but they neglect about the hooks. You forget each song the minute the next one starts.

Again, The Treatment's sense of melody saves them, as songs like "Get The Party On," "Emergency," "She's Too Much," and the title track will have you humming and/or drumming on the desk all day long. The rockers are relentlessly uptemmpo, and while Jones wails away, the rhythm section of Dhani Mansworth and Rick Newman pound it out straight and simple on drums and bass. Guitarists Brookland and Grey give a B-12 shot to the old British blues-rock playbook, just by sheer volume and fervor. I really love that one extra-sleazy lick in "She's Too Much"--you'll know which one. But then, in the second half of the disc, the band throw out a pair of high-quality ballads in "Cloud Across The Sun" and "Unchain My World." The former, in particular, gives me sharp, gut-level flashbacks to the late hair-metal daze. This would've been all over MTV circa 1990, even while avoiding the great, quicksand-like pools of cheese that lurk around every corner in Balladland. The only really cheesy moments are on the album's first track, "I Bleed Rock 'n' Roll," which just tries a little too hard, and the silly, swampy intro to "The Outlaw."

PITRIFF RATING - 93/100 - I liked This Might Hurt, but didn't love it. Running With The Dogs is a big step forward. If you like no-frills, high-energy, blues-based hard rock that doesn't forget to be memorable (think Dirty Looks or earliest Tesla in addition to prior comparisons), this is the disc for you. There's also a deluxe edition available, with a bonus disc featuring some obscure English cover songs.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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