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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: Ron Keel, Metal Cowboy, Classic Metal, PitriffRon Keel


There's something very unique about Ron Keel that I think has escaped most of his peers that were spawn from the 80s hair metal scene. For most, they have been content to stick to the formula that made them famous, only take an experimental shot once the mainstream popularity had run it's course, and then returned to their classic form to ride out their career. With Ron Keel, it's been a very different experiment which he has crafted into a career. As an artist, Keel is one of neverending experimentation. He's had hair metal albums, acoustic releases, country metal releases, and now more of a southern rock/metal record. METAL COWBOY seems to have a lot of people remembering Keel's project Iron Horse, but I'd say that is highly inaccurate. The "Metal Cowboy" is proving once again that he's more of a Metal Chameleon. Hard at times, bluesy in other parts and full of twists and turns, METAL COWBOY could very well be the best release Keel's had his name on since THE RIGHT TO ROCK.

Listening to METAL COWBOY, you really get the feeling that this solo release was probably more in the direction that his past project Iron Horse would have gone in had Keel not had bandmates to help formulate the music. There are definitely songs on METAL COWBOY that you could see appearing on Keel or Iron Horse albums, but then there are song that are completely new to the Keel arsenal for a lot of reasons. "My Bad" is a primary example. This is a hard, angry song that showcases Keel in a brand new light as a rant n' roller. He's never really brought anger to the music (at least to the vocals of any project), and yet it's on display as he rages against the governmental corruption that has gripped this nation. There are other songs, like "What Would Skynyrd Do", that are cut straight from the Skynyrd/ZZ Top blues rock cloth. Throughout METAL COWBOY, you get the widest assortment of song structure that Keel has ever put together on any release.

In addition to the songs themselves, his band is diverse which leads to a lot more interesting music. Tesla's Frank Hannon brings his giant sound to much of this release, including "The Cowboy Road", which stands as one of the better tunes on the entire release. Still, at other times, such as the disc's best track "Just Like Tennessee", it's Ditch Kurtz's old country slide guitar that adds the perfect spice to this recipe of great music. For his part, Ron Keel sounds really strong vocally throughout. He's definitely not the screamer that he used to be anymore, but he can still bring it. On tracks like "The Last Ride", the grittier, more earth toned vocals of the modern day Keel certainly drive this rocker forward.

PITRIFF RATING - 91/100 - Ron Keel may have been spawned from the 80s when Steeler and Keel were atop the hard rock world, but this performer has never stopped being aggressive or creative. He's never stopped reinventing himself either. METAL COWBOY has a ton of flavor that both old Keel fans as well as classic rockers can all sink their teeth into. A very good listen from one of the most unheralded voices from the 80s glory years.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


Buy Now:  Paperback    Digital

Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

Buy Now:  Paperback     Digital


Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

 Image: Keel, pitriff, heavy metal, news, reviews, interviews

Want Streets Of Rock N' Roll Radio On Your Phone - CLICK HERE To Download The New App


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