• Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Red Dragon Cartel - RED DRAGON CARTEL

Image: Red Dragon Cartel, Jake E. Lee, PitriffRed Dragon Cartel
RED DRAGON CARTEL

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Jake E. Lee - where have you been for the past two decades? Calling it the way it is, Jake E. Lee was one of the most recognizable sounds in hard rock/heavy metal for about five or six years. His work with Ozzy Osbourne on BARK AT THE MOON and THE ULTIMATE SIN were signatures to the Prince Of Darkness' biggest commercial success. He then moved onto Badlands, which is one of those bands that never got huge even though most now agree that it was one of the very best and most timeless bands of the late 80s and early 90s. In both cases, it was Jake's HUGE sound that propelled these projects. After that though, he was gone. Sure, there was the occasional sighting, like his solo A FINE PINK MIST release and then a somewhat surprise appearance on Enuff Z'nuff's DISSONANCE release, but ultimately the question of "where is Jake E. Lee" became one of folklore in the hard rock and heavy metal community.

After forever away though, Jake E. Lee is back, and his playing is as good as ever. His new project is called Red Dragon Cartel, and it features some killer guitar from Lee. At first listen, RED DRAGON CARTEL will probably surprise a lot of people with it's more modernized direction. Had Jake been releasing music all this time, it probably wouldn't be so surprising as we would have followed his progression...but when you go from 1992 to 2014 without hearing anything, all changes are amplified. Still, his playing is big and full, as always. Songs like "Deceived" remind you right away just how good, crisp and fast Lee always was as a guitar player. It's good to hear and worth noting that Jake has not tuned down any either, so his sound is still pure and not marred by the false heaviness of a drop d tuning. Hearing him rage to open "Slave", you are made very aware that Lee is still great.

As great as Lee is though, the album comes off as a bit of a mish mosh experience. There's a singer named Darren Smith who's solid, although fairly standard in his sound. He doesn't ruin anything when he sings on songs like "Slave" or "Shout It Out", but he's much more normal than what Jake has performed with in the past; most notably the unbelievable voice of Ray Gillen in Badlands. The problem though is the abundance of other singers that come in and take away from both the flow of the album and the building of this band as a unit. Robin Zander of Cheap Trick is the best of the bunch. His performance on the first single "Feeder" is arguably the best he's put down for any band (including his own) in a decade. There's other things though that just don't work. In This Moment's Maria Brink is abysmal on "Big Mouth" (which also suffers from a Kevin Churko mix that sounds almost identical to Ozzy's last two solo releases). Paul Di'Anno sings on "Wasted", and that's just more of his typical barking that has made anything past 1983 pretty much intolerable from him. Sass Jordan checks in on "Redeem Me", but she's not really adding a whole lot either. In short, this album would have been better if the band would have just let Smith sing all the songs. At least then RED DRAGON CARTEL would have done a better job establishing this band on their own merits. At this point, it's still a little fuzzy as to just what Red Dragon Cartel is going to be as a cohesive band.

PITRIFF RATING - 70/100 - I like it, and I love having Jake E. Lee back and wailing on guitar. I would have liked to see less guests and more of them becoming whatever they will become however. That said though, Jake E. Lee is back. There ultimately is nothing wrong with that.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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