• Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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  • Evergrey - HYMNS FOR THE BROKEN

    Image: Evergrey, Hymns For The Broken, Review, Progressive Metal Evergrey
    HYMNS FOR THE BROKEN

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    In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have

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  • Ace Frehley - SPACE INVADER

    Image: Ace Frehley, Space Invader, Pitriff, Classic Metal, Reviews Ace Frehley
    SPACE INVADER

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    Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is

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  • Blackberry Smoke - LEAVE A SCAR

    Image: Blackberry Smoke, Leave A Scar, Pitriff, Review, Rock Blackberry Smoke
    LEAVE A SCAR - LIVE IN NORTH CAROLINA

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    Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and

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  • Skid Row - UNITED WORLD REBELLION, CHAPTER 2

    Image: Skid Row, United World Rebellion Chapter 2, Pitriff, Classic Metal, Review Skid Row
    UNITED WORLD REBELLION, CHAPTER 2

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    Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got

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  • Downset - ONE BLOOD

    Image: Downset, One Blood, Pitriff, Review Downset
    ONE BLOOD

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    As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE

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Dokken - BROKEN BONES

Image: Dokken, Broken Bones, Pitriff, Don Dokken, Sean McNabb, Mick Brown, Jon LevinDokken
BROKEN BONES

It's been a long road for Dokken. They have had more than their share of turmoil throughout the years. The feud between Don Dokken and George Lynch is one of the most famous feuds in the history of rock music. They've had great albums, and let's be honest, they've had a couple of true duds as well. The band "Dokken" now only contains namesake Don Dokken (and sometimes Wild Mick Brown) from the original band. Don has toured relentlessly for over 30 years now, and that once crystal clear voice has lost it's top end now. So, clearly, the deck is stacked against Dokken now to produce a solid collection of musical hits.

And yet, with all the changes to the band, the turmoil, the changes in Don's voice and anything else you can think of, the ability to write songs that cut to the point of relationships has never, ever left Don Dokken. While BROKEN BONES is not the best Dokken album by any stretch, it does showcase that innate ability Don Dokken has to capture an emotion that all of us have felt at one time or another. To me, the title track is by far the easiest song to relate to. The song deals with a broken relationship and how it's left Dokken a broken man much like a broken skeletal piece.

People continually bitch about Don Dokken's voice, so let's address that for a second. Yes, it's changed. Certainly, it's not the same as it was when songs like "Just Got Lucky", "It's Not Love" or "Alone Again" were recorded. That top end is gone. Somehow Brian Johnson gets a pass but Dokken is continually slapped for trying to give his fans new music. Whatever. He sounds decent throughout most of the album, with the exception of the god awful song "Blind", which someone should have stepped up and suggested leaving on the cutting room floor. My hunch is that Levin wanted this song in, as his guitar solo is blazing on this song. That said though, Dokken's vocal on this song is very choppy and disjointed here.

Without question, the star of BROKEN BONES is guitarist Jon Levin. Levin is such a masterful guitarist, and yet so few people even know of him. He's every bit the player that George Lynch ever was, and yet has diversity in his playing that was never featured on 'heyday' Dokken albums. His riffs and solos on songs like "Waterfall" and the almost Led Zeppelin-esque "Victim Of The Crime" is staggeringly good. He's backed ably by veteran bassist Sean McNabb and the always thunderous Mick Brown on Drums. As a unit, they explore a lot of styles here. There are definitely burners like "Empire" and "Tonight", as well as a lot of cool, mid-tempo stuff to round out the album.

PITRIFF RATING - 72/100 - Not the greatest Dokken album, but a decent album from the band that once again features the blazing guitar skills of Jon Levin. If you are a Dokken fan, you will dig this. If not, then go get UNDER LOCK AND KEY, TOOTH AND NAIL or even LIGHTNING STRIKES AGAIN and discover the band there instead of here.

Chris Akin

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