• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    MP3

    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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UFO - SEVEN DEADLY

Image: UFO Seven Deadly, Pitriff, CD Review, Heavy Metal, NewsUFO
SEVEN DEADLY

I think to give a fair analysis of my musical taste when it comes to UFO.  I am not, on any level, a fan that's been there from the start of this band.  They are OK, but certainly not a band I've ever considered to be great by any level.  I never really followed them, so the who's who of the lineup is not of great concern to me like it might be to other fans of the band.  Further, I'm definitely not one of those guys that celebrates Michael Schenker as the god of the six strings like so many do.  I have all his work, and I'm yet to be really bowled over by anything he's done.  As it relates to UFO, I'm not one of those guys that will immediately dismiss an album with Vinnie Moore on it because it simply doesn't feature Schenker.

With all that said, we come to SEVEN DEADLY - one of the very worst albums in the UFO catalog.  While the last couple of records have been passable without really being overwhelming, SEVEN DEADLY is remarkably drab, dull and surprisingly undynamic album that feels a lot more like a Vinnie Moore blues rock solo project than anything in UFO's catalog.

To be fair though, the problem is not Moore.  The problems are twofold - the musical direction itself and vocalist Phil Mogg.  Having caught the band on one of their recent tours, it's clear that Mogg has turned more and more into a rock n' roll vagabond hippie than ever before.  He's all the way there lyrically here.  To put it bluntly, much of this album comes off as fairly incoherent rambling from a stoned lunatic.  Some of these songs, like "The Fear" really sound like they were put together by writing the last word of every line first so they all rhymed, then going back and filling in the rest of the words so there was something to sing.  Add to that the fact that this song is closer musically to Blues Traveler than UFO and you can start to realize the problem here.  When they do find it musically, like on "Wonderland", Mogg again pollutes the song with rantings that just don't translate to anyone with lucid thought process.  He goes on and on about "The Monkey" - whatever that is.  I tried to figure it out, thinking it could be anything from a drug addiction to an actual monkey, and none of it makes any sense at all.

Musically, it's just not there on this release either.  I've always thought that every heritage band that's been out for 20 plus years should have to spend a day or two in a room just hanging out and listening back to their entire catalog before ever writing a single note of music.  Never has that been more clear than on SEVEN DEADLY.  This music has literally nothing to do and/or not a single moment in common with the sound and style UFO built their career on.  Songs like "Mojo Town" could easily win you a bar bet trying to get an unsuspecting fan with an MSG shirt on to guess who the band playing was.  "This sounds like Phil Mogg, but that's definitely not UFO" - most probable answer you would get if playing that game with a fan.

PITRIFF RATING - 30/100 - Musically dull and lyrics so bizarre at times they make Lou Reed's LULU lyrics seem well defined and thought out, SEVEN DEADLY is a disaster of a project.  To their credit, UFO is still cranking out new music every few years.  To their demise, UFO is still cranking out new music every few years.  Sad to say, but this is pretty lame.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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