• Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth


    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

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  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax


    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: DAD, Pitriff, CD Reviews, heavy metal newsD-A-D

It's funny how this band has continued to survive, even given the fact that so few people can actually name a single song that they've ever done.  D-A-D is a band that's most famous for having to change their name from "Disneyland After Dark" after being legally threatened by Mickey Mouse.  That said, they had one album that was fairly successful, NO FUEL LEFT FOR THE PILGRIMS, and a long career of localized success in Denmark after it.

Back once again, and still stuck on the whole "Disneyland After Dark" motif, D-A-D do a play on lettering of their former name in their album title DIC..NII.LAN.DAFT.ERD.ARK.  They may be stuck in the past with the name, but that doesn't take away from a very solid rock record from the band.  Providing pretty solid hard rock with a stoner metal guitar sound behind it, D-A-D have created a moody, powerful disc that's well worth listening to.

As has always been the case, D-A-D is lead by the Binzer brothers - Jesper and Jacob.  Jesper sings and plays guitar, while Jacob stays with the guitar.  Both power most of this material.  Songs like "The End" are some of the best work that this band has ever done.  The brothers Binzer produce some powerful, fuzzed out riffs that would make any Kyuss fan smile over the top of a musical landscape closer suited to 80s mainstream rock music than traditional stoner metal.  I know that's an odd description, but it works here.  Other songs, like "I Want What She's Got" features a similar formula.  The double dose of fuzzy guitar from the Binzer's works very well, although they are not limited to this sound.  They go back to their more alternative guitar sound on songs like 'Fast On Wheels"; the sound that was most prominent on PILGRIMS.  Their strength though lies in the heavier, stoner-like sound though.  This is not more evident than on "The Place Of The Heart"; a song who's riff feels a bit like it was nicked from Black Sabbath's "Iron Man".  For his part, Jesper Binzer is still as good a singer as he was when this band launched.  His voice is still strong, clean and powerful at pushing an emotion to the listener.  The band is rounded out by longtime bassist Stig Pedersen and drummer Laust Sonne.  Both are solid, yet unflashy as they put down a thick foundation for the Binzer's to play over top of.  In short, D-A-D has created a solid effort as they generally do.

PITRIFF RATING - 84/100 - While this is not the most memorable release you will hear in 2012, it's not bad on any level.  D-A-D have always been one of those "yeah, I remember them" bands that created solid music, and they continue to be now.  While the album title will hurt them, the music certainly won't.  Solid stuff.  Disneyland After Dark, indeed.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


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Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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