• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

    CD
    MP3

    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

    CD
    MP3

    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    MP3

    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    MP3

    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    MP3

    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    MP3

    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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Review - Scalp

Image: Scalp, Heavy Metal, Reviews, PitriffScalp
SCALP

Well, this is a first for me - a band reaching out and asking me to review their new music by listening to it on Spotify.  I guess that's an OK strategy, although if I really liked the material this would not be acceptable to have to burn up my 3G bandwidth that AT&T robs me for using.  Still, I'm in front of the computer most of the time, so why not give this a listen.

For those that don't know, Scalp is a project who's mere mention probably put Andrew McNeice of MelodicRock.com into convulsions!  This is an AOR supergroup of sorts - featuring members of acts like W.E.T., Insania, Eclipse, Baltimoore and Sabaton).  Unfortunately for Scalp, the amalgamation of a lot of talent doesn't always translate into a great project.  SCALP is a pretty sub-standard AOR rocker that suffers from somewhat murky production as well as fairly drab material.

Again, it's not horrible by any means.  There's just not a ton of material here that really stands out.  A big part of that comes from the production, which is definitely lacking for this genre of music.  One of the key elements to this kind of music thriving is the huge, lush production quality that these bands usually showcase.  It's just not here.  Songs like "Frozen Days" and "Do You Dream" are plagued by simply awful guitar tone and drum sound.  "Frozen Days", in particular, is an absolute mess sonically.  I have no idea with guitarists Emanuel Hedberg and Tobias Jakobsson were going for on this song, but what they captured with a thin, seemingly filtered tone that is very lacking.  There are times in this progressive wannabe song when the entire band seems completely out of sync with each other, and specifically with vocalist Dmitri Keiski.  For his part, Keiski is not the most appealing singer.  He's got a quality to his voice that is very reminiscent of some early 70s pop singer that I can't quite place, but that's not a good thing.  He incorporates a simply horrible vocal effected callout under his voice on "I Just Wish".  Not only is the effect bad, but the callback is too loud throughout to where it interferes with the vocal line itself.

Production is a large part of the problem, but the other half of the issues with Scalp come from songs that just aren't very good.  Listening through the material, it's amazing that these guys came up with such middle of the road AOR music considering how much more dynamic their real projects are.  To listen to songs like "Romes Peace" or the seemingly out of tune "Time For Revolution", you almost can't believe that guys that have done so much better would put their names on this.

PITRIFF RATING - 32/100 - I'm quite sure the theme going into this project was to do something unlike their bigger named projects.  They've certainly accomplished that.  SCALP is a pretty tough listen plagued with either poor production and dreadfully average songs, or bad decisions about what to do with the sound and direction of the project.  Either way, this was a difficult listen.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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