• Marilyn Manson - THE PALE EMPEROR

    Image: Marilyn Manson, The Pale Emperor, Pitriff, Modern Metal, Reviews Marilyn Manson
    THE PALE EMPEROR

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    Let’s just call it the way it is. It’s been a very, very long time since Marilyn Manson recorded a really good, memorable release that any of us still listen to on a regular basis. To many, the would probably says that it’s been since MECHANICAL ANIMALS back in 1998. For me personally, I’ll be a bit more

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  • Black Star Riders - THE KILLER INSTINCT

    Image: Black Star Riders, The Killer Instinct, Review, Classic Rock, Pitriff Black Star Riders
    THE KILLER INSTINCT

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    When Black Star Riders made their decision to record under a new name instead of as Thin Lizzy, it was met with a lot of opinions. For most, I would assume they were happy that they decided to move away from the name they had been touring under. For many, I'm sure there was a lot of

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  • Lynch Mob - SUN RED SUN

    Image: Lynch Mob, Sun Red Sun, George Lynch, Classic Rock, Reviews Lynch Mob
    SUN RED SUN

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    On THE CLASSIC METAL SHOW, George Lynch is regularly a topic of conversation. Maybe that has to do with the fact that Neeley is a personal friend of Don Dokken and I work for Don on his website, but I like to believe that he becomes a topic because, first and foremost, we are big fans of the

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  • Karma To Burn - ARCH STANTON

    Image: Arch Stanton, Karma To Burn, Pitriff, Stoner Metal, Reviews Karma To Burn
    ARCH STANTON

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    There are those of us who know. We will forever be known as the "fortunate ones". There are those of you that have no idea. You will be known as the "unfortunate ones". What is it we know that you don't? We know the sheer greatness of Karma To Burn. For those that are unfortunate ones, let me

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  • U.D.O. - DECADENT

    Image: U.D.O. - DECADENT, Classic Metal, Reviews, Pitriff U.D.O.
    DECADENT

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    I'm sure I'm not in the minority here, but I'm glad that we now have a killer version of Accept with Mark Tornillo as well as the continuation of U.D.O. with Udo Dirkschneider. In short, it's led to both bands stepping up their game and creating great music. While neither side will admit competition with the other band, the fans certainly

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  • Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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Jizzy Pearl, Crucified, CD Review, Pitriff

Jizzy Pearl
CRUCIFIED

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CD

I'd be lying if I didn't say that I have a bias toward supporting anything that says "Love/Hate" on the cover of it.  Without any question, Love/Hate was my favorite band of the entire 80s "hair metal" era.  Not Motley Crue.  Not Warrant.  Not Winger.  Not Cinderella.  Not those poseur bitches in Poison.  Love/Hate was the band for me, and the reasons were very obvious.  Of all the hair farmer bands, Love/Hate was the band that sang about things that were closer to where I was at the time.  While the other bands were focused on sex and the party, Love/Hate was a lot more street level and focused a lot more on the boozing and pot early on...which is where I was at.  "Fuel To Run", "One More Round", "Wasted In America" - all these songs hit home for me in the early '90s when they came out. Interestingly though, as the project became much more of a Jizzy Pearl thing than the original lineup, the music has matured and has stayed in sync with how I've grown as a person.  His solo albums have produced songs like "Hit And Miss' that are relatable to me, as are other songs like "Do You Believe In Miracles" from LET'S RUMBLE as the career has progressed.  Back with an EP called CRUCIFIED, Pearl and the formerly named Love/Hate has stayed in step with my musical taste.

Image: Michael Schenker, Temple Of Rock, Bridge The GapMichael Schenker's Temple Of Rock
BRIDGE THE GAP

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CD

Michael Schenker is one of those guys where you either are 1000% in,or you really don't care at all about what he's doing. To me personally, I've just never understood the incredible amount of hype surrounding him. I get that he made a huge mark on the rock world with UFO and a somewhat less statement with Scorpions, but in the end, I can listen to either of those bands or anything since and really not hear anything earth shattering on guitar. Eddie Van Halen he's not. Still, there are tons of people that worship him, so good for him for finding such a strong allegiance.

Image: Fates Warning, Darkness In A Different Light, Pitriff, Reviews, progressive metalFates Warning
DARKNESS IN A DIFFERENT LIGHT

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Fates Warning are a band that has a ton of talent, but it's never been realized by the masses for one reason - they were always a bit too crafty for their own good.  In many ways, they remind me of a better musical version of bands like Rush or Dream Theater.  While the band is clearly filled with musicians that are as talented as any that are working today, they almost always over-extended their chops both musically and in writing material to a point that the masses just couldn't easily consume and "get" what they were about.  The result is that they never got big while other bands raced to the top of the niche they fall into.  The results have been releases like AWAKEN THE GUARDIAN, DISCONNECTED and A PLEASANT SHADE OF GRAY; albums that their core audience love, but just didn't have any real "hit" potential to break them past their niche audience.  DARKNESS IN A DIFFERENT LIGHT is their most straightforward effort since they debuted in the 80s, but it's a little too late at this point.  That said, this is a seriously solid Fates Warning album.

Image: Deicide, In The Minds Of Evil, Death Metal, Review, PitriffDeicide
IN THE MINDS OF EVIL

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Am I the only one that remembers when Florida was THE place for brilliant death metal?  That is definitely a ghost from the past, as the major players from that era have seemingly all faded away (or, at a minimum are putting out subpar material).  One of those bands that was considered a leader of that pack was Deicide, and much like your Morbid Angels and Obituarys of the Florida world, their music has become little more than tired, regurgitated crud that will draw people to the clubs based solely on their past instead of anything they are doing now.  IN THE MINDS OF EVIL feels like a glass of drinking water that you know was recycled from your neighbor's toilet.  It may have the feeling that it's refreshing, but you just sense that it's not truly fresh.

Image: Boston, Life Love and Hope, Pitriff, heavy metal, reviewsBoston
LIFE, LOVE & HOPE

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Boston is one of those bands that, as a fan, has just been one of the most frustrating to follow.  Their career has been so sporadic musically and so infrequent release-wise that they literally tanked their career for the sake of the creative musings of their leader, guitarist Tom Scholz. To be pretty honest, they haven't done anything that's been that great since the THIRD STAGE release, which came back in 1986.  Following the death of vocalist Brad Delp, they seemed like they may just be over, but were resurrected in the live setting by Stryper vocalist Michael Sweet.  Sweet has since left, but new vocalist Tommy DiCarlo seems to be a pretty good clone of Delp sonically.  So, onward does the Boston spaceship sail.

Image: Pro-Pain, The Final Revolution, Pitriff, Review, Heavy MetalPro-Pain
THE FINAL REVOLUTION

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In almost every subgenre of heavy metal, there's a band where you just know what you are going to get before you ever listen to a note of new music from the band.  In hard rock, it's AC/DC.  In modern rock/metal, it would be Disturbed.  In death metal, you could point to Six Feet Under, Cannibal Corpse or just about anyone else.  In hardcore, it's definitely Pro-Pain.  Before ever playing a single note of THE FINAL REVOLUTION, I had the strongest idea of what was coming.  Needless to say, my hunch was correct.  THE FINAL REVOLUTION is exactly as advertised.  It's violent.  It's a clear spit into the face of authority.  In short, it's Pro-Pain.

Image: Kataklysm, Waiting For The End To Come, Heavy Metal, Review, Death Metal, PitriffKataklysm
WAITING FOR THE END TO COME

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For a lot of people, the second they hear that a band is "death metal", they will exit the conversation.  Their loss, I guess.  Kataklysm are definitely a death metal-like band I guess, but in many ways the continue to remind me of their slightly less heavy former enemies Devildriver.  To be certain, there's nothing here at all resembling anything but the most heavy of music that has ever been created, but there's always that slight bit of melody in the music that has long separated Kataklysm from the myriads of Cookie Monster sounding gurglers that clog the "death metal" world today with what is, basically, average music that plays more to it's genre's stereotype than it does to anything creative.  While not the best release Kataklysm has ever done, WAITING FOR THE END TO COME continues the tradition the band has established and ran with for two decades.

Images: Obey, Benedictum, Heavy Metal, Hard Rock, PitriffBenedictum
OBEY

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Some bands just don't get the love they deserve from metal fans around the world.  One of those bands is Benedictum.  In a large way, I put them in the same bucket as an artist like Jorn Lande.  Musically, they are continually stronger than most of the trendy dreck that's out there, but they are constantly overlooked for reasons that are just not fair to them.  With Lande, he's got the stigma of sounding like Dio (which, to be fair to the metal fans out there he helped to perpetuate) which has led people to not take him as seriously as an individual artist as his music demands.  With Benedictum, I'm quick to believe that the imagery of the beautiful and voluptuous Veronica Freeman does more harm than good, as the dumb metal stereotype of "chicks don't rock" will cause some to not give Benedictum a fair shake.  For those metalheads, I can only say, "your loss, dumbass".  As a band that simply gets better with each and every effort, Benedictum has created their best release yet with OBEY.  Full of speed, heaviness and frenetic energy that is far above their previous releases, OBEY has high jumped the bar the band previously set with DOMINION, and cleared it by a mile.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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