• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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Shrapnel - THE VIRUS CONSPIRES

Image: Shrapnel, The Virus Conspires, Pitriff, Thrash, ReviewShrapnel
THE VIRUS CONSPIRES

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For the last five to ten years, I have been championing the return of thrash metal by a series of new bands. Some have made it and built pretty solid careers (Havok, Municipal Waste), and others have come and gone (what happened to Lazarus AD). That said though, there's be no shortage of bands in the last decade that have returned to the roots of thrash to make authentic and new thrash that have been more than welcome to those of us that live in hope that Exodus and Death Angel can continue their winning ways since coming back. In short, it's been very good to have a gluttony of new bands making this kind of music. Formed in 2009, Shrapnel jumps right into the middle of this fold with THE VIRUS CONSPIRES. This release is 100% a facemelter, seemingly cut out of 1988 and intent to simply destroy everything in it's path. It's technically excellent, sonically crushing and as good a thrasher as anything that's come along in awhile.

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Adrenaline Mob - MEN OF HONOR

Image: Adrenaline Mob, Men Of Honor, Modern Metal, Review, PitriffAdrenaline Mob
MEN OF HONOR

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Being completely honest, the debut Adrenaline Mob release OMERTA didn't do a lot for me. This is surprising actually, as vocalist Russell Allen is one of those guys that I always look forward to hearing from, regardless of the project he's doing at the time. Still, OMERTA was one of those supergroup releases that just didn't have a lot of "get up" to it. It was there, a pretty bland collection of hard rock, sometimes modern metal songs that just kind of went nowhere. The band is back, sans Mike Portnoy who has once again band hopped to a new project. MEN OF HONOR is, most certainly, better than OMERTA is just about every way imaginable. It's still pretty standard faire, but it is a more compelling listen than their previous effort.

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Ron Keel - METAL COWBOY

Image: Ron Keel, Metal Cowboy, Classic Metal, PitriffRon Keel
METAL COWBOY

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There's something very unique about Ron Keel that I think has escaped most of his peers that were spawn from the 80s hair metal scene. For most, they have been content to stick to the formula that made them famous, only take an experimental shot once the mainstream popularity had run it's course, and then returned to their classic form to ride out their career. With Ron Keel, it's been a very different experiment which he has crafted into a career. As an artist, Keel is one of neverending experimentation. He's had hair metal albums, acoustic releases, country metal releases, and now more of a southern rock/metal record. METAL COWBOY seems to have a lot of people remembering Keel's project Iron Horse, but I'd say that is highly inaccurate. The "Metal Cowboy" is proving once again that he's more of a Metal Chameleon. Hard at times, bluesy in other parts and full of twists and turns, METAL COWBOY could very well be the best release Keel's had his name on since THE RIGHT TO ROCK.

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Ektomorf - RETRIBUTION

Ektomorf, Retribution, Pitriff, CD ReviewEktomorf
RETRIBUTION

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Since I first discovered Ektomorf back in 2004 on their DESTROY release, they have been one that, while I never sat around waiting for a release, I've always loved when they had something new out there. As heavy music goes, they are the perfect combination of what I like. They are kind of like the lovechild of Sepultura, Soulfly and Machine Head; all wrapped up into one menacing, brutal package. A couple years ago, they surprised a lot of people with THE ACOUSTIC (which is an acoustic release) and BLACK FLAG. It was surprising because both were pretty weak releases from Ektomorf. Happily, they are back and more pissed off than ever. RETRIBUTION is a very defiant callback to this band's better days.

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House Of Lords - PRECIOUS METAL

Image: House Of Lords, Precious Metal, Pitriff, CD ReviewHouse Of Lords
PRECIOUS METAL

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As melodic hard rock goes, James Christian has not only kept the band House Of Lords alive, but he's kept it relevant and smart throughout their career. While he was not the original voice of the band, he's been "the guy" on every release and has proven always seems to have some good ideas to keep the band driving creatively forward. Ultimately, over the course of their 9 studio releases, there's only been one that was a total dude (THE POWER AND THE MYTH). In fairness, that one could even be attributed to ring rust after 12 years away from the project. While unflashy, the last four releases have been very solid from start to finish. Returning with PRECIOUS METAL, Christian and his House Of Lords once again hit the consistency mark. They also rock just a little bit harder than you might expect for this release.

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Scorpions - MTV UNPLUGGED

Image: Scorpions, MTV Unplugged, Review, PitriffScorpions
MTV UNPLUGGED

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After listening to this every day for about a month, it's finally come time to write something about this latest effort from Scorpions. As a giant fan of the band, I firmly wanted to like this release, but after at last 20 listens, it's just not clicking with me. There's just something about it that feels wrong. The arrangements are a bit too happy and fun, for one thing. For another, the edge that made Scorpions one of the best bands of all time, even in their down years, is completely removed from this effort. I've seen a great many reviews out there stating that MTV UNPLUGGED is a must have for a diehard fan. That's untrue though, because as a diehard fan, this has almost no use for my collection. Long story short, I love Scorpions as much as the next 40 something that found them at any point in their historic career...but I have no need to hear these watered down versions of these songs.

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Earth Crisis - SALVATION OF INNOCENTS

Image: Earth Crisis, Salvation Of Innocents, Pitriff, ReviewEarth Crisis
SALVATION OF INNOCENTS

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CD

I know that I have a pretty distinct label on me of what most people think I like to listen to. I believe that most people think that I'm a classic metal fan whose musical taste basically goes from 80s hair metal bands to Bay Area Thrash. I can't lie - I do love that style a ton...probably the most of anything I do listen to. When it comes to heavy music though, I think many would be very surprised that a close second for me is '90s/'00s era hardcore. Simply put, I'll take albums by the Spudmonsters, Agnostic Front or Hatebreed over anything that the likes of Korn or Disturbed ever delivered. One of my favorites has always been Earth Crisis. With the core of the band intact, Earth Crisis came back from the dead five years ago and have been putting out some of the best material of their career. SALVATION OF INNOCENTS continues this trend.

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Blowsight - LIFE & DEATH

Image: Blowsight, Life & Death, Review, Modern MetalBlowsight
LIFE & DEATH

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Sometimes you hear a band, you can define their intention from the second you hear them. For some, you know they are looking to make as large a statement against anything mainstream as they can. For others, you can just sense the desire for radio airplay and mainstream success. With Blowsight, there's very little doubt that this band is looking for airplay. While that's not my hot point, there's definitely no denying that what they are doing can work if the right ears hear this. Listening to LIFE & DEATH, you can't help but hear this mixed into modern rock radio playlists.

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