• Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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Earth Crisis - SALVATION OF INNOCENTS

Image: Earth Crisis, Salvation Of Innocents, Pitriff, ReviewEarth Crisis
SALVATION OF INNOCENTS

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CD

I know that I have a pretty distinct label on me of what most people think I like to listen to. I believe that most people think that I'm a classic metal fan whose musical taste basically goes from 80s hair metal bands to Bay Area Thrash. I can't lie - I do love that style a ton...probably the most of anything I do listen to. When it comes to heavy music though, I think many would be very surprised that a close second for me is '90s/'00s era hardcore. Simply put, I'll take albums by the Spudmonsters, Agnostic Front or Hatebreed over anything that the likes of Korn or Disturbed ever delivered. One of my favorites has always been Earth Crisis. With the core of the band intact, Earth Crisis came back from the dead five years ago and have been putting out some of the best material of their career. SALVATION OF INNOCENTS continues this trend.

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Blowsight - LIFE & DEATH

Image: Blowsight, Life & Death, Review, Modern MetalBlowsight
LIFE & DEATH

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Sometimes you hear a band, you can define their intention from the second you hear them. For some, you know they are looking to make as large a statement against anything mainstream as they can. For others, you can just sense the desire for radio airplay and mainstream success. With Blowsight, there's very little doubt that this band is looking for airplay. While that's not my hot point, there's definitely no denying that what they are doing can work if the right ears hear this. Listening to LIFE & DEATH, you can't help but hear this mixed into modern rock radio playlists.

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Battle Beast - BATTLE BEAST

Image: Battle Beast, Pitriff, Reviews, Power MetalBattle Beast
BATTLE BEAST

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With the overabundance of traditional and power metal bands out there, it's not surprising how many of them just sound the same. Without question, Finland's Battle Beast takes their influences from the classic tones of power metal. Unfortunately for them though, they take a bit too much influence without incorporating much of their own style into it. After multiple listens to BATTLE BEAST, I'm yet to find anything at all that separates them from the bulk of the European metal bands that are finding their way to our shores these days. While there's nothing terrible here, there's not a single "wow" moment either. In short, BATTLE BEAST is the kind of release you listen to in between bands that you just like better.

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Red Dragon Cartel - RED DRAGON CARTEL

Image: Red Dragon Cartel, Jake E. Lee, PitriffRed Dragon Cartel
RED DRAGON CARTEL

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Jake E. Lee - where have you been for the past two decades? Calling it the way it is, Jake E. Lee was one of the most recognizable sounds in hard rock/heavy metal for about five or six years. His work with Ozzy Osbourne on BARK AT THE MOON and THE ULTIMATE SIN were signatures to the Prince Of Darkness' biggest commercial success. He then moved onto Badlands, which is one of those bands that never got huge even though most now agree that it was one of the very best and most timeless bands of the late 80s and early 90s. In both cases, it was Jake's HUGE sound that propelled these projects. After that though, he was gone. Sure, there was the occasional sighting, like his solo A FINE PINK MIST release and then a somewhat surprise appearance on Enuff Z'nuff's DISSONANCE release, but ultimately the question of "where is Jake E. Lee" became one of folklore in the hard rock and heavy metal community.

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Primal Fear - DELIVERING THE BLACK

Image: Primal Fear, Delivering The Black, Pitriff, CD ReviewPrimal Fear
DELIVERING THE BLACK

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There are so many great bands out there that don't get nearly the credit they deserve. At the top of the list of those power metal bands without their just credit is Primal Fear. Since the late '90s, Primal Fear has been delivering powerful collections of iron that has been overlooked by the mainstream, but has hit the mark repeatedly to us old schoolers who wanted something new, yet cut from the same cloth as the great Judas Priest. While they have never put out a bad release, the last two or three have strayed away from the vintage sound they started with and looked to find a bit more mainstream crossover. That seems to have been pushed away this time though, as Primal Fear has reverted back to the classic sound of their first 3 releases. Without question, DELIVERING THE BLACK is the best release the band has done since then...maybe ever. In short, DELIVERING THE BLACK is as close to a perfect metal release as it gets. Welcome to 2014, folks!

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Fist Fight In The Parking Lot

Image: Fist Fight In The Parking Lot, Year Of The Ox, Pitriff, Review, Stoner MetalFist Fight In The Parking Lot
YEAR OF THE OX

Wow, here's one that's unexpected. With a name that sounds like one of these bad emocore bands of the modern day, Fist Fight In The Parking Lot is a deep, heavy and damn near perfect doom metal band that breaks the mold by adding a female vocalist to the front of their thick, heavy sludge. There's a lot to say here, but the main word that keeps coming to mind is, simply, "wow"! As we march our way into 2014, it's clear that Fist Fight In The Parking Lot are the first new band to land on my radar for the upcoming year. YEAR OF THE OX just flat out rocks!

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Toby Jepson - RAISING MY OWN HELL

Toby Jepson
RAISING MY OWN HELL

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I can't tell you the number of strange looks I've received over the years when I claim two of my top five hair bands of all time to be Love/Hate and Little Angels.  The overwhelming look of confusion is only equaled by the number of people that simple say, "who the fuck is that?"  Little Angels was, without question, the single most underappreciated band of the hair band era.  In a time that saw Def Leppard become one of the biggest bands ever, it simply should have been Little Angels.  They were better musicians.  They wrote much stronger songs than Leppard did with HYSTERIA on forward.  They didn't sell out to make it.  Most importantly, their singer Toby Jepson was just flat out better.  I've always felt that "Don't Pray For Me" and "Broken Wings Of An Angel" are two of the very best ballads ever recorded in an era where careers were cemented based on a solid ballad (Motley Crue, Poison, Mr. Big, Warrant, Skid Row all found their groove based on huge ballads). It's been a lot of years since then, and big success always eluded Jepson and Little Angels, but RAISING MY OWN HELL proves that nothing has been lost with this vocalist.

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Jizzy Pearl - CRUCIFIED

Jizzy Pearl, Crucified, CD Review, Pitriff

Jizzy Pearl
CRUCIFIED

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I'd be lying if I didn't say that I have a bias toward supporting anything that says "Love/Hate" on the cover of it.  Without any question, Love/Hate was my favorite band of the entire 80s "hair metal" era.  Not Motley Crue.  Not Warrant.  Not Winger.  Not Cinderella.  Not those poseur bitches in Poison.  Love/Hate was the band for me, and the reasons were very obvious.  Of all the hair farmer bands, Love/Hate was the band that sang about things that were closer to where I was at the time.  While the other bands were focused on sex and the party, Love/Hate was a lot more street level and focused a lot more on the boozing and pot early on...which is where I was at.  "Fuel To Run", "One More Round", "Wasted In America" - all these songs hit home for me in the early '90s when they came out. Interestingly though, as the project became much more of a Jizzy Pearl thing than the original lineup, the music has matured and has stayed in sync with how I've grown as a person.  His solo albums have produced songs like "Hit And Miss' that are relatable to me, as are other songs like "Do You Believe In Miracles" from LET'S RUMBLE as the career has progressed.  Back with an EP called CRUCIFIED, Pearl and the formerly named Love/Hate has stayed in step with my musical taste.

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