• Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth
    DYSTOPIA

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    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

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  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax
    FOR ALL KINGS

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    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust
    KILL THE FLAW

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    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden
    THE BOOK OF SOULS

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    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer
    REPENTLESS

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    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime
    THE KEY

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    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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  • W.A.S.P. - GOLGOTHA

    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.
    GOLGOTHA

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    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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judas priest, redeemer of souls, power metalJudas Priest
REDEEMER OF SOULS

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Judas Priest has a lot to atone for in the eyes of all fans except for Jim "Nostradamus" Bartek. Given the fact that Bartek's 524 day listening streak to NOSTRADAMUS probably doubled the count of the rest of the Priest fanbase combined, it's clear that the once Mighty Priest needed to do something very, very metal this time around or it might just be time to call it a day. Not only was NOSTRADAMUS a bomb, but it also marked the moment that the dynamic duo of Tipton and Downing split in half, as KK decided to take his skills to the golf course and leave the band behind. With that said, and given that Priest fans have gone 9 long years without a good Judas Priest release to listen to, there's a ton of expectation on REDEEMER OF SOULS.

Image: Quiet Riot, Jizzy Pearl, 10, Pitriff, reviewsQuiet Riot
10

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I'm generally excited when Jizzy Pearl fronts any band. He's one of my favorite singers out there from the classic metal era; a distinct sounding guy who has proven to be a chameleon while maintaining a sound there is no mistaking. Jizzy joining Quiet Riot was a welcome thought to me, personally. While I've never been a huge Quiet Riot fan, I've always found Kevin Dubrow and Frankie Banali to be good at what they do. When Dubrow died, they went through a few singers looking for the right fit before Pearl took the job most recently. To be honest, it's surprising (at least to me) that they decided to record so quickly after Pearl joined the band. The resulting work is 10, the new album of sorts from the current lineup of Quiet Riot.

Image: Black Stone Cherry, Magic Mountain, Classic Metal, Review, PitriffBlack Stone Cherry
MAGIC MOUNTAIN

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Well, they finally did it. After nearly a decade of being hailed as the new kings of southern rock, and receiving favorable comparisons to Zeppelin and Skynyrd, western Kentucky's Black Stone Cherry have released an album that's worthy of all the praise.

I've always liked the IDEA of Black Stone Cherry. I mean, what's not to like about a bunch of good ol' (young) boys flying the rock 'n' roll rebel flag? I was a bit lukewarm on the band's actual music, though. BSC always sounded more like Alice In Chains with a twang than any of the classic-rock heroes people seemed so eager to compare them to. Southern-rock poured through a thick filter of down-tuned grunge. Black Label Society minus the showy guitars and pretend biker-gang ethos, if you will, or maybe Stone Temple Pilots dressed up in overalls and a stars-and-bars shirt (that analogy owing in part to Chris Robertson's drony Weiland-like vocal style). I wanted to like BSC, and checked out every new release, waiting for them to break out. If they could just put together a whole album of songs like "Hell And High Water," "Soul Creek" or "White Trash Millionaire," we'd be in business.

Image: Neanderthal, American Dog, Classic Metal, Pitriff, ReviewAmerican Dog
NEANDERTHAL

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God bless American Dog! For fifteen years, a bunch of blue-collar working stiffs from Columbus, Ohio have been churning out their brand of greasy, grimy redneck metal, and doing it all themselves. You gotta respect a band with American Dog's tenacity, toiling away in obscurity while other, much lesser bands soak up the major-label success. Oh yeah, and the tunes are consistently great, too!

For their seventh full-length album, Neanderthal, the guys find room at the pound for another canine compadre, guitarist Vinnie Salvatore. After existing as a trio for so long, and with Steve Theado's guitar tone being so thick and beefy, you almost wonder what they need with a second guitarist, or if you'd even be able to tell. On listening to the record, you can tell all right, even though Salvatore's style matches the band perfectly. There's lots of left-channel/right-channel interplay that you just didn't hear when Theado was handling all the guitar duties. Otherwise, the band's sound has remained essentially the same: a thick, gloopy stew of '70's metal influences, with a few dashes of dirty punk and psychobilly. Throw Motorhead, Ted Nugent, Molly Hatchet and Thin Lizzy in a barrel, and mash it all up with the Supersuckers and Nashville Pussy, and you get American Dog. And we wouldn't have it any other way.

Image: Hurtsmile, Gary Cherone, classic metal, review, pitriff, chris akinHurtsmile
RETROGRENADE

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For so many people, they hear Gary Cherone's name and immediately think about the failed Van Halen album III that he fronted. I get it. How can you not? It was such an unbelievably bad effort, and really should never have had the Van Halen name on it at all. Unfortunately though, Cherone has always been the blamesake of that release, even though it's pretty much recorded history at this point that III was Eddie Van Halen's attempt at experimentation at the same time he was using or drinking himself into oblivion. Still, for most VH nerds, it's always impossible to admit that EVH could ever do anything badly. So blame it on the new guy, right? The sad truth though is that both before and after Van Halen, Gary Cherone has proven to be a pretty damn great frontman. I'm sure I'm near alone with this, but I look at PORNOGRAFFITI from Extreme as one of the top 10 albums of hair metal history. They followed with another brilliant release in III SIDES TO EVERY STORY, and then bested all of that with the widely underappreciated WAITING FOR THE PUNCHLINE (one of the top 10 albums in my entire collection). When Extreme reconvened, they put out another great release with SAUDADES DE ROCK. Simply put, Cherone has proven to be a great rock song writer over a long career.

Image: Steelhammer, U.D.O., classic metal, review, pitriffU.D.O.
STEELHAMMER - LIVE FROM MOSCOW

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I really have no idea why U.D.O. is not a much, much bigger band than they are. Without question, everyone is all too quick to celebrate Accept, both with and without vocalist Udo Dirkschneider in the band. And yet, for all the love fans have for Dirkschneider's era of Accept, U.D.O. has really remained an afterthought instead of an equal to the current band that features Mark Tornillo on vocals. For the life of me, I don't understand it. U.D.O. has put out nothing but great to awesome releases The last decade has seen this band release six discs that have been absolutely awesome, without a bad one in the bunch. Still, U.D.O. stays more as the answer to the trivia question of "whatever happened to Udo Dirkschneider" than it does to a band being considered one of the elite in old school, traditional heavy metal. Maybe it's just me, but that's just criminal.

Image: Ronnie Munroe, Electric Wake, review, thrash metal, metal churchRonny Munroe
ELECTRIC WAKE

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One of the most disrespected singers in all of heavy metal, Ronny Munroe has more than ably fronted Metal Church for a decade now. Fronting Metal Church since 2004, the band has been a touch inconsistent (A LIGHT IN THE DARK and GENERATION NOTHING being great, WEIGHT OF THE WORLD and THIS PRESENT WASTELAND being a bit forgettable), but that inconsistency really can't be blamed on Munroe. Having seen him a couple of times with Metal Church, he honors the work of Both David Wayne and Mike Howe without being a mere copycat clone of either. In short, he's taken the reigns of a legacy position and rode it ably into the future. Still, every time Munroe opens his mouth, there's some assclown on Blabbermouth screaming that he's not Wayne or Howe. No shit, Sherlock! His solo efforts though have been his places to shine on his own, and he's been especially strong there. ELECTRIC WAKE is definitely a strong metal effort. While not the best thing Munroe has done, it's a far cry from the worst.

Image: Vader, Tivi Et Igni, Pitriff, review, death metalVader
TIBI ET IGNI

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CD

I could write all kinds of stuff about how Vader are the icons of Polish Death Metal. I could put all kinds of praise on them, and talk about how they and Behemoth are the trendsetters that allowed people to understand that Poland had some death metal brilliance coming out of their country. I could talk for a long time that they are playing faster than ever before. Or I can give you a fascinating fact about the new Vader release, TIBI ET IGNI. I'll go with that.  There's a soft, slow part on TIBI ET IGNI. That's right! Are you surprised? For almost two minutes at the start of "Go To Hell", you get lulled in with a creepy, haunting and yet very soft and docile opening movement. Amazing, right? Don't be fooled though. From there, you are launched into what Vader does best - destroy you with a furiousness that only the most elite of the old school death metal bands have ever been able to offer. TIBI ET IGNI is an old school release, and much like their previous effort WELCOME TO THE MORBID REICH, it just flat out crushes.

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