This collection of southern boys are not the most original band in the world. They’ll never be accused of being the most musically gifted fellas in the world. Certainly, no one will ever listen to them and think, “wow, that’s really cutting edge music”. To the contrary though, release in and release out, the same thought comes to mind
Sequels to albums, at least in my listening experience, are generally poor. The two that immediately jump to mind for me are Rob Zombie’s HELLBELLY DELUXE 2 and Meat Loaf’s BAT OUT OF HELL 2. Both releases were pretty lame, and garnered attention solely because they were named after much more historic releases in their creator’s career.
So, Dream Theater is back with a release that many are calling their most in-depth, and yet polarizing release. Fair enough. With 34 tracks and clocking in at over two hours in length, it’s certainly the most challenging on a listener to fully grasp and comprehend. Along with THE ASTONISHING, you are expected to read the book of lyrics
More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,
Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some
There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released SAVAGES in late 2013, which was followed with another band, Killer Be Killed, being released in May. Six months later, we now have a new release from Cavalera Conspiracy called PANDEMONIUM. Like any fan of Cavalera's, a single 12 month period where I get 36 new creations from him is a good year. That said though, it sometimes comes with a bit of boredom, as it's just not likely that he's going to vary his writing greatly from project to project. And he hasn't. PANDEMONIUM features a bit of a deeper voiced, more death metal-like vocal from Cavalera, but the music is fairly similar to most of the other stuff he's done in the last year.
For many musicians, the end of a rigorous and draining touring schedule, menas getting back home and attempting to blend back in to normal life again. Although for some it, the need to stay active is of paramount importance. Once such musician is Anthrax's, Ian Scott.
Born in 1963, Ian is best known for his work with the thrash metal legends, which has spanned nearly 40 years, when they formed back in 1977. Ian, both adept as a guitarist and vocalist is the only surviving member from the original band. He has also featured in the line-up of metal band The Damned Things over the years.
However, what makes Ian interesting among a plethora of metal musicians is that during his downtime, he loves nothing more than to kick back and enjoy a game of competitive poker. He made his bow at poker's biggest stage in 2009 at the World Series of Poker where he finished in 637th place among over 5,000 participants. At the event, Ian took home just over $21,000, which meant he doubled his buy-in – not bad for a relative newcomer to the elite level.
Listen to Scott's interview with talking about his appearance at the WSOP below:
In the interview and a published piece on Bluff Magazine website, Ian went on to mention how he honed his skills online with fellow musicians Slash, Kirk Hamnett from Metallica, Vinnie Paul and Jerry Cantrell. He built up a forum of online players through his rock friends where they regularly enjoy poker games. Online participation has spawned many people's fascination with the game, with the first wagering site launched in 1996 through the evergreen InterCasino. Since then poker fans like Ian have used it as a platform to become better at the card game.
And although, Ian seems to have cooled his participation in major events of late, it seems Hamnett has aspirations to compete at a similar level to Ian soon. Read his interview with Rolling Stone to find read more on his love of poker here.
Do you know any other rock and metal musicians that have played competitive poker? Let us hear below.
With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it, not so much because I wanted to figure out if it was good or not, but to get my head past the considerations of "would this sound different with the other guys". While there are some things that probably would have been a bit different, overall .5 THE GRAY MATTER is EXACTLY what you would expect to hear from Slipknot. Not only do the songs measure well against their past work, but they comes with a lot of aggression and anger that has come from the turmoil of the last few years in the band.
Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an awkwardness that's rarely done creatively. While certainly not at all the same musically, that awkward allure has always been the draw to many to a band like Meshuggah (although again, not at all comparing the music they make at all). Still, it seems like Opeth just doesn't want to have that allure anymore. Instead, they want to be Pink Floyd. Well, in short, they aren't Pink Floyd, or King Crimson, or whatever progressive rock band they are taking influence from on PALE COMMUNION. While I'm sure this is inspired work where every note was scrutinized, it's a boring listen to people that make up the heavy music audience they once were playing to. Clearly that's not their focus anymore.
So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says Cannibal Corpse on the cover is that you know you are in for an extremely heavy ride. They are one band where even member changes have meant very, very little to the overall sound (cue the Cannibal Corpse uber fans to write in and tell me how each member's departure change the "dynamics"...shut up!). Like I said, you know what you get with these guys, but sometimes the degree of playing is better than at other times. This would be one of those times. As a fan of the band, A SKELETAL DOMAIN is by far the most musical venture the band has taken, and it's by far the most adventurous musically. I'm sure to most that don't appreciate their version of "slaughtercore" it's just noise, but to a Death Metal fan, this is one of their best efforts to date.
Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004 when they put the band back together, they have been far stronger than at any time in their career. For the last decade, it has been the polarizing Rob Dukes leading the band vocally. He was replaced earlier this year by the again returning Steve "Zetro" Souza; a move that has found both praise and criticism amongst the hardcore fans of the band. It makes sense, really. With Dukes, the band simply got heavier and more vicious. This leaves people to wonder what would happen with Zetro returning to the band. Well, they certainly didn't slow down. BLOOD IN, BLOOD OUT is as heavy as anything the guys have done to date.
As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play. Let's face it, this is a band that features Billy Sheehan and Paul Gilbert - two of the most gifted rock musicians history has ever seen. It was more of a question of if all that creative energy could find a way to not only co-exist again, but mesh like they did in the old days. The answer was an overwhelming "yes". Their return release WHAT IF...was on par with most of the material from their past. It was a fun, energized effort with some truly great moments. Well, the long and the short of it is that ...THE STORIES WE COULD TELL keeps it going. Some great songs, some really good ones, and zero fillers - this new release is pretty much what you would expect from Mr. Big.
Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and shitting out records people care about may be over, assuming that the genre that abandoned you is dead is premature, sir. The legendary Slash, along with the great Myles Kennedy and his band The Conspirators, have delivered not only the best rock album of 2014, but one that's so strong that it might remind you of the impact Slash had once before around 1987. Simply put, WORLD ON FIRE is as good a rock record as has been released since the turn of the century. Rock n' Roll is dead? My ass!!