More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,
Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some
When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This
They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that
Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer
Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the
W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a
With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade or so has been for bands to do cover albums to milk fans. Those are bad enough. Then though, there's this. If two things were ever made to NOT collide, it's country music and the works of Motley Crue. Simply, this is not music that translates universally. Kid Rock makes the kind of music that works in both medium today. Maybe Bob Seger and the Silver Bullet Band. Motley Crue? Just no. As you would suspect, the ridiculously titled "Nashville Outlaws" have delivered an almost comical release that is embarrassing to the artists involved as well as the namesake guys that actually seem to have endorsed this. This isn't fun. It's just terrible.
I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent tent was where most of the radio guys were set up. It took all of 3 seconds for Texas Hippie Coalition vocalist Big Daddy Ritch to change the entire attitude of my quiet little tent. "I hope you motherfuckers don't plan on me keeping it down," he bellowed. "Big Daddy and the boys are here and you're gonna know it!" And with that, he grabbed me and belly bumped (as two fat guys are not going to chest bump) me damn near through the back of the tent. From there, it was just a fun, no bullshit interview with Big Daddy and the boys that EXACTLY complimented any preconceived notion you might have about these guys from hearing their music.
I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they hadn't seen to that point. When that ended, he went back to solo material and was successful there once again. He then needed something fun to do, so he formed Chickenfoot and found success there. He loves to drink, so he made his own tequila which then went on to make him a zillion more dollars. He needed a place to party, so he built the Cabo Cantina which has now become THE party spot in Cabo, St. Lucas, Mexico. Hell, I'd love to have Sammy Hagar take a second of interest in one of my businesses, just to see how "Midas" the guy really is. Lately though, it seems like he might be ready to just relax and have fun. Two of his most recent solo efforts, SAMMY HAGAR AND FRIENDS and LIVIN' IT UP, found the former Red Rocker mellowing out a lot and just having fun. More of the same here with LITE ROAST. Comprised of material he's performed over the years in a new, laid back "on the beach" method, LITE ROAST will likely only appeal to hardcore Hagar enthusiasts. At this point, I'm not all that sure Hagar cares.
There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released SAVAGES in late 2013, which was followed with another band, Killer Be Killed, being released in May. Six months later, we now have a new release from Cavalera Conspiracy called PANDEMONIUM. Like any fan of Cavalera's, a single 12 month period where I get 36 new creations from him is a good year. That said though, it sometimes comes with a bit of boredom, as it's just not likely that he's going to vary his writing greatly from project to project. And he hasn't. PANDEMONIUM features a bit of a deeper voiced, more death metal-like vocal from Cavalera, but the music is fairly similar to most of the other stuff he's done in the last year.
For many musicians, the end of a rigorous and draining touring schedule, menas getting back home and attempting to blend back in to normal life again. Although for some it, the need to stay active is of paramount importance. Once such musician is Anthrax's, Ian Scott.
Born in 1963, Ian is best known for his work with the thrash metal legends, which has spanned nearly 40 years, when they formed back in 1977. Ian, both adept as a guitarist and vocalist is the only surviving member from the original band. He has also featured in the line-up of metal band The Damned Things over the years.
However, what makes Ian interesting among a plethora of metal musicians is that during his downtime, he loves nothing more than to kick back and enjoy a game of competitive poker. He made his bow at poker's biggest stage in 2009 at the World Series of Poker where he finished in 637th place among over 5,000 participants. At the event, Ian took home just over $21,000, which meant he doubled his buy-in – not bad for a relative newcomer to the elite level.
Listen to Scott's interview with talking about his appearance at the WSOP below:
In the interview and a published piece on Bluff Magazine website, Ian went on to mention how he honed his skills online with fellow musicians Slash, Kirk Hamnett from Metallica, Vinnie Paul and Jerry Cantrell. He built up a forum of online players through his rock friends where they regularly enjoy poker games. Online participation has spawned many people's fascination with the game, with the first wagering site launched in 1996 through the evergreen InterCasino. Since then poker fans like Ian have used it as a platform to become better at the card game.
And although, Ian seems to have cooled his participation in major events of late, it seems Hamnett has aspirations to compete at a similar level to Ian soon. Read his interview with Rolling Stone to find read more on his love of poker here.
Do you know any other rock and metal musicians that have played competitive poker? Let us hear below.
With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it, not so much because I wanted to figure out if it was good or not, but to get my head past the considerations of "would this sound different with the other guys". While there are some things that probably would have been a bit different, overall .5 THE GRAY MATTER is EXACTLY what you would expect to hear from Slipknot. Not only do the songs measure well against their past work, but they comes with a lot of aggression and anger that has come from the turmoil of the last few years in the band.
Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an awkwardness that's rarely done creatively. While certainly not at all the same musically, that awkward allure has always been the draw to many to a band like Meshuggah (although again, not at all comparing the music they make at all). Still, it seems like Opeth just doesn't want to have that allure anymore. Instead, they want to be Pink Floyd. Well, in short, they aren't Pink Floyd, or King Crimson, or whatever progressive rock band they are taking influence from on PALE COMMUNION. While I'm sure this is inspired work where every note was scrutinized, it's a boring listen to people that make up the heavy music audience they once were playing to. Clearly that's not their focus anymore.
So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says Cannibal Corpse on the cover is that you know you are in for an extremely heavy ride. They are one band where even member changes have meant very, very little to the overall sound (cue the Cannibal Corpse uber fans to write in and tell me how each member's departure change the "dynamics"...shut up!). Like I said, you know what you get with these guys, but sometimes the degree of playing is better than at other times. This would be one of those times. As a fan of the band, A SKELETAL DOMAIN is by far the most musical venture the band has taken, and it's by far the most adventurous musically. I'm sure to most that don't appreciate their version of "slaughtercore" it's just noise, but to a Death Metal fan, this is one of their best efforts to date.